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dc.contributor.authorCowan, Michael
dc.date.accessioned2016-04-07T15:00:02Z
dc.date.available2016-04-07T15:00:02Z
dc.date.issued2014-04
dc.identifier241574384
dc.identifier37673cdf-4bb1-42c4-959f-88560c181f21
dc.identifier84899854939
dc.identifier.citationCowan , M 2014 , ' Fidelity, Capture and the Sound Advertisement : Julius Pinschewer and Rudi Klemm's "Die chinesische Nachtigall" ' , Zeitgeschichte , vol. 2 , no. 14 , pp. 90-101 .en
dc.identifier.urihttps://hdl.handle.net/10023/8575
dc.descriptionISBN: 978-3-7065-5356-8. Edited by Sema Colpan, Lydia Nsiah, Joachim Schätz, Siegfried Mattl (Hrsg.)en
dc.description.abstractExamines the first sound advertising film in Germany (1928)
dc.format.extent12
dc.format.extent215021
dc.language.isoeng
dc.relation.ispartofZeitgeschichteen
dc.subjectAdvertising filmen
dc.subjectSound filmen
dc.subjectAnimationen
dc.subjectSilhouettesen
dc.subjectPN1993 Motion Picturesen
dc.subject.lccPN1993en
dc.titleFidelity, Capture and the Sound Advertisement : Julius Pinschewer and Rudi Klemm's "Die chinesische Nachtigall"en
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. Film Studiesen
dc.description.statusPeer revieweden
dc.identifier.urlhttp://www.studienverlag.at/page.cfm?vpath=buecher/buchdetail&titnr=5356en


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