Show simple item record

Files in this item

Thumbnail

Item metadata

dc.contributor.authorKhosronejad, Pedram
dc.date.accessioned2014-07-22T08:31:01Z
dc.date.available2014-07-22T08:31:01Z
dc.date.issued2013-06-26
dc.identifier.citationKhosronejad , P 2013 , ' Digital ethnography, resistance art and communication media in Iran ' , International Journal of Communication , vol. 7 , pp. 1298–1315 .en
dc.identifier.otherPURE: 54641983
dc.identifier.otherPURE UUID: 5dcd24d3-7947-4a6d-8ad7-0cb92acc7c5d
dc.identifier.otherWOS: 000322447400001
dc.identifier.urihttp://hdl.handle.net/10023/5054
dc.description.abstractIranian visual materials relating to the presidential election crisis have the potential to become the sites of analysis and debate for fields as diverse as history, visual history, memory and post-memory, or trauma studies. References to memory are now omnipresent in scholarly discourse and in a wider public debate: ”social memory’, “collective remembrance”, “national memory”, “public memory”, “counter memory”, “popular history making” and “lived history” jostle for attention.
dc.format.extent18
dc.language.isoeng
dc.relation.ispartofInternational Journal of Communicationen
dc.rightsCopyright © 2013 (Pedram Khosronejad). Licensed under the Creative Commons Attribution Noncommercial No Derivatives (by-nc-nd) http://creativecommons.org/licenses/by-nc-nd/2.5/. Article available at http://ijoc.org.en
dc.subjectGN Anthropologyen
dc.subject.lccGNen
dc.titleDigital ethnography, resistance art and communication media in Iranen
dc.typeJournal itemen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.Social Anthropologyen
dc.description.statusPeer revieweden
dc.identifier.urlhttp://ijoc.org/index.php/ijoc/article/view/2305/928en


This item appears in the following Collection(s)

Show simple item record