Digital ethnography, resistance art and communication media in Iran
MetadataShow full item record
Iranian visual materials relating to the presidential election crisis have the potential to become the sites of analysis and debate for fields as diverse as history, visual history, memory and post-memory, or trauma studies. References to memory are now omnipresent in scholarly discourse and in a wider public debate: ”social memory’, “collective remembrance”, “national memory”, “public memory”, “counter memory”, “popular history making” and “lived history” jostle for attention.
Khosronejad , P 2013 , ' Digital ethnography, resistance art and communication media in Iran ' , International Journal of Communication , vol. 7 , pp. 1298–1315 .
International Journal of Communication
Copyright © 2013 (Pedram Khosronejad). Licensed under the Creative Commons Attribution Noncommercial No Derivatives (by-nc-nd) http://creativecommons.org/licenses/by-nc-nd/2.5/. Article available at http://ijoc.org.
Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.