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“The ‘Ars vivendi’ of Laura Mañà’s Morir en San Hilario/To Die in San Hilario (2005)”
Item metadata
dc.contributor.author | Bentley, Bernard Pierre Emile | |
dc.date.accessioned | 2013-05-21T08:31:02Z | |
dc.date.available | 2013-05-21T08:31:02Z | |
dc.date.issued | 2012-11-21 | |
dc.identifier | 5162200 | |
dc.identifier | b6f950d0-ce54-4903-96db-b98ccbfd41ad | |
dc.identifier | 84871646235 | |
dc.identifier.citation | Bentley , B P E 2012 , ' “The ‘Ars vivendi’ of Laura Mañà’s Morir en San Hilario/To Die in San Hilario (2005)” ' , Studies in European Cinema , vol. 9 , no. 1 , pp. 7-22 . https://doi.org/10.1386/seci.9.1.7_1 | en |
dc.identifier.issn | 1741-1548 | |
dc.identifier.uri | https://hdl.handle.net/10023/3540 | |
dc.description.abstract | Over the past decade Spanish-Language Cinema has established itself beside Spanish and Latin American Cinema, and Morir en San Hilario is a good example of these new flexible collaborations rather than a strict transnational co-production. Billed as a comedy, the film could also be described as a variation on the road film, a circular journey to Utopia, a Spanish village/pueblo film, and a twenty-first-century ‘Ars moriendi’ developing the topos of ‘Homo viator’. This is not a frequent combination to be found on cinema screens and Laura Mañà’s gamble was to integrate these ingredients and create a fable to reflect on life and death. She does this through comedy, exaggerations, parody and a narrative style identified as magic realism. Her originality, however, overlaps with the lasting legacy of the fifteenth-century Castilian soldier-poet, Jorge Manrique (c.1440-1479) and his ‘Stanzas written upon the death of his father’, a landmark of Spanish Literature. | |
dc.format.extent | 15 | |
dc.format.extent | 1024107 | |
dc.language.iso | eng | |
dc.relation.ispartof | Studies in European Cinema | en |
dc.subject | Laura Mañà | en |
dc.subject | Magical realism | en |
dc.subject | Death | en |
dc.subject | Jorge Manrique | en |
dc.subject | Homo viator | en |
dc.subject | Road films | en |
dc.subject | PN1993 Motion Pictures | en |
dc.subject.lcc | PN1993 | en |
dc.title | “The ‘Ars vivendi’ of Laura Mañà’s Morir en San Hilario/To Die in San Hilario (2005)” | en |
dc.type | Journal article | en |
dc.contributor.institution | University of St Andrews. Spanish | en |
dc.identifier.doi | 10.1386/seci.9.1.7_1 | |
dc.description.status | Peer reviewed | en |
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