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dc.contributor.authorSpencer, Catherine Elizabeth
dc.date.accessioned2021-12-30T00:38:03Z
dc.date.available2021-12-30T00:38:03Z
dc.date.issued2021-06
dc.identifier.citationSpencer , C E 2021 , ' Navigating internationalism from Buenos Aires : the Centro de Arte y Comunicación ' , ARTMargins , vol. 10 , no. 2 , pp. 50-72 . https://doi.org/10.1162/artm_a_00292en
dc.identifier.issn2162-2574
dc.identifier.otherPURE: 273516432
dc.identifier.otherPURE UUID: f63ddeac-edfc-4ca9-aa5e-6a2f7155b48e
dc.identifier.otherScopus: 85109745685
dc.identifier.otherORCID: /0000-0002-9359-7357/work/100172702
dc.identifier.otherWOS: 000683462600004
dc.identifier.urihttp://hdl.handle.net/10023/24588
dc.description.abstractThis article maps the complex socio-political terrain negotiated by the Centro de Arte y Comunicación (CAYC) during the early 1970s from Buenos Aires. It shows how the CAYC attempted to continue the internationalising aims which the Instituto Torcuato Di Tella had pursued in the 1960s, while also providing a space for the exhibition and development of Conceptualism that engaged with political conditions in Argentina and in other countries including Brazil, Uruguay, Chile and Columbia, developing the framework of “systems art” in order to do so. The compromises necessitated by CAYC's balancing act opened the organisation, and in particular its director Jorge Glusberg, to accusations of cultural imperialism and complicity: from almost the very beginning, the CAYC project was characterised by dissensus and disagreement. The controversy generated by CAYC – documented in archives, publications and exhibition catalogues – now offers a rich historiographical resource for Latin American art, revealing how competing models of internationalism and Conceptualism were closely intertwined rather than diametrically opposed.
dc.format.extent23
dc.language.isoeng
dc.relation.ispartofARTMarginsen
dc.rightsCopyright © 2021 ARTMargins and the Massachusetts Institute of Technology. This work has been made available online in accordance with publisher policies or with permission. Permission for further reuse of this content should be sought from the publisher or the rights holder. This is the final published version of the work, which was originally published at https://doi.org/10.1162/artm_a_00292.en
dc.subjectArgentinaen
dc.subjectCentrode Arte y Comunicaciónen
dc.subjectConceptual arten
dc.subjectConceptualismen
dc.subjectGlusbergen
dc.subjectInternationalismen
dc.subjectSystems arten
dc.subjectF1201 Latin America (General)en
dc.subjectN Fine Artsen
dc.subjectT-NDASen
dc.subject.lccF1201en
dc.subject.lccNen
dc.titleNavigating internationalism from Buenos Aires : the Centro de Arte y Comunicaciónen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.School of Art Historyen
dc.contributor.institutionUniversity of St Andrews.Centre for Contemporary Arten
dc.identifier.doihttps://doi.org/10.1162/artm_a_00292
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-12-30


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