Navigating internationalism from Buenos Aires : the Centro de Arte y Comunicación
Date
06/2021Author
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Abstract
This article maps the complex socio-political terrain negotiated by the Centro de Arte y Comunicación (CAYC) during the early 1970s from Buenos Aires. It shows how the CAYC attempted to continue the internationalising aims which the Instituto Torcuato Di Tella had pursued in the 1960s, while also providing a space for the exhibition and development of Conceptualism that engaged with political conditions in Argentina and in other countries including Brazil, Uruguay, Chile and Columbia, developing the framework of “systems art” in order to do so. The compromises necessitated by CAYC's balancing act opened the organisation, and in particular its director Jorge Glusberg, to accusations of cultural imperialism and complicity: from almost the very beginning, the CAYC project was characterised by dissensus and disagreement. The controversy generated by CAYC – documented in archives, publications and exhibition catalogues – now offers a rich historiographical resource for Latin American art, revealing how competing models of internationalism and Conceptualism were closely intertwined rather than diametrically opposed.
Citation
Spencer , C E 2021 , ' Navigating internationalism from Buenos Aires : the Centro de Arte y Comunicación ' , ARTMargins , vol. 10 , no. 2 , pp. 50-72 . https://doi.org/10.1162/artm_a_00292
Publication
ARTMargins
Status
Peer reviewed
ISSN
2162-2574Type
Journal article
Rights
Copyright © 2021 ARTMargins and the Massachusetts Institute of Technology. This work has been made available online in accordance with publisher policies or with permission. Permission for further reuse of this content should be sought from the publisher or the rights holder. This is the final published version of the work, which was originally published at https://doi.org/10.1162/artm_a_00292.
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