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dc.contributor.authorO'Hare, Patrick
dc.contributor.authorBell, Lucy
dc.date.accessioned2020-05-14T15:30:03Z
dc.date.available2020-05-14T15:30:03Z
dc.date.issued2020-05-14
dc.identifier.citationO'Hare , P & Bell , L 2020 , ' Cultural responses to the war on drugs : writing, occupying, and ‘public-ing’ in the Mexican City ' , City & Society , vol. 32 , no. 1 , pp. 203-227 . https://doi.org/10.1111/ciso.12259en
dc.identifier.issn0893-0465
dc.identifier.otherPURE: 267301346
dc.identifier.otherPURE UUID: 9f7df17b-e514-4953-9a11-6d795e626257
dc.identifier.otherORCID: /0000-0003-2535-2881/work/74118209
dc.identifier.otherWOS: 000532579300010
dc.identifier.otherScopus: 85084596499
dc.identifier.urihttp://hdl.handle.net/10023/19944
dc.descriptionThis research was made possible by an Arts and Humanities Research Council (AHRC) grant (No: AH/P005675/1).en
dc.description.abstractCardboard publishers (editoriales cartoneras) are small, independent publishers linked by the recovered cardboard that covers their books, a commitment to the promotion of local authors, and a drive to make literature accessible. This cultural movement, whose actors often form part of broader social movements, has spread across Latin America and beyond, with other 250 active collectives. Drawing on ethnography conducted with some of Mexico’s thirty cartoneras, and literary analysis of their texts, this paper contributes to debates on violence and public space in the context of the brutal Mexican “war on drugs”. Dialoguing with a body of scholarship spanning from Setha Low’s pioneering urban anthropology to Jacques Rancière’s art theory, we argue that cartoneras might be considered “public‐ers”, in that their book‐making labor involves the production not just of books, but of new social relations, communities, and publics. By analyzing aesthetic materials in relation to the social contexts in which they are embedded, we demonstrate that decisions to denounce violence and perform its alternatives on the written page, and in the public plaza, are inseparable and intertwined cultural forms of action that create affective encounters, contact zones, and spaces of dissensus in the city.
dc.format.extent25
dc.language.isoeng
dc.relation.ispartofCity & Societyen
dc.rightsCopyright © 2020 The Authors. City & Society published by Wiley Periodicals LLC on behalf of American Anthropological Association. This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.en
dc.subjectCardboard publishingen
dc.subjectSocial movementsen
dc.subjectUrban spaceen
dc.subjectDissensusen
dc.subjectViolenceen
dc.subjectGN Anthropologyen
dc.subjectDASen
dc.subject.lccGNen
dc.titleCultural responses to the war on drugs : writing, occupying, and ‘public-ing’ in the Mexican Cityen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.Philosophyen
dc.contributor.institutionUniversity of St Andrews.Social Anthropologyen
dc.identifier.doihttps://doi.org/10.1111/ciso.12259
dc.description.statusPeer revieweden
dc.date.embargoedUntil2020-05-14


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