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dc.contributor.authorCowan, Michael
dc.date.accessioned2017-03-06T15:30:09Z
dc.date.available2017-03-06T15:30:09Z
dc.date.issued2015-09-28
dc.identifier.citationCowan , M 2015 , ' The realm of the earth : simultaneous broadcast and world politics in interwar cinema ' , Intermédialités , vol. 23 , 1033343ar . https://doi.org/10.7202/1033343aren
dc.identifier.otherPURE: 241574524
dc.identifier.otherPURE UUID: 3da41c74-b2d8-47a1-8efa-4eb345f79835
dc.identifier.urihttp://hdl.handle.net/10023/10407
dc.description.abstractThis article discusses intermedial relations between film and new technologies of broadcast—telegraph, radio and television—in interwar Europe, culminating in a reading of Abel Gance’s largely forgotten radio film La fin du monde (1931). It argues that efforts to reposition film in relation to the new technologies of broadcast helped to catalyze both new forms of montage and new understandings of film as a medium that might forge political communities on a world scale.
dc.language.isoeng
dc.relation.ispartofIntermédialitésen
dc.rights© Revue Intermédialités, 2014. This work has been made available online with permission from the journal. This is the final published version of the work, which was originally published at: https://doi.org/10.7202/1033343aren
dc.subjectInterwar filmen
dc.subjectSimultaneous broadcasten
dc.subjectAbel Ganceen
dc.subjectMontageen
dc.subjectWorld cinemaen
dc.subjectPolitical cinemaen
dc.subjectLa Fin du Mondeen
dc.subjectPN1990 Broadcastingen
dc.subjectPN1993 Motion Picturesen
dc.subjectBDCen
dc.subject.lccPN1990en
dc.subject.lccPN1993en
dc.titleThe realm of the earth : simultaneous broadcast and world politics in interwar cinemaen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.Film Studiesen
dc.identifier.doihttps://doi.org/10.7202/1033343ar
dc.description.statusPeer revieweden
dc.identifier.urlhttps://www.erudit.org/revue/im/2014/v/n23/1033343ar.html?vue=resume&mode=restrictionen


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