The realm of the earth : simultaneous broadcast and world politics in interwar cinema
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This article discusses intermedial relations between film and new technologies of broadcast—telegraph, radio and television—in interwar Europe, culminating in a reading of Abel Gance’s largely forgotten radio film La fin du monde (1931). It argues that efforts to reposition film in relation to the new technologies of broadcast helped to catalyze both new forms of montage and new understandings of film as a medium that might forge political communities on a world scale.
Cowan , M 2015 , ' The realm of the earth : simultaneous broadcast and world politics in interwar cinema ' , Intermédialités , vol. 23 , 1033343ar . https://doi.org/10.7202/1033343ar
© Revue Intermédialités, 2014. This work has been made available online with permission from the journal. This is the final published version of the work, which was originally published at: https://doi.org/10.7202/1033343ar
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