Show simple item record

Files in this item

Thumbnail

Item metadata

dc.contributor.authorCorbett, George
dc.date.accessioned2016-07-07T16:30:08Z
dc.date.available2016-07-07T16:30:08Z
dc.date.issued2017
dc.identifier.citationCorbett , G 2017 , ' Parallel exempla : a theological reading of Dante's terrace of pride (Purgatorio X-XII) ' , Le Tre Corone , vol. 4 , pp. 73-96 . https://doi.org/10.19272/201712101004en
dc.identifier.issn2283-5768
dc.identifier.otherPURE: 243180272
dc.identifier.otherPURE UUID: 7213a1ed-e2ed-4ce3-9769-ba1f44eacd83
dc.identifier.otherORCID: /0000-0002-7043-3253/work/33749786
dc.identifier.urihttp://hdl.handle.net/10023/9090
dc.description.abstractThe terrace of pride is framed by three examples of humility (Pg. x.34-93) and twelve (or thirteen) examples of pride (Pg. xii.25-63); its centrepiece is Dante-character's encounter with three prideful souls (Pg. xi.37-142). These three groups fall into three different cantos, and scholars have typically addressed them on their own. With each group, questions have arisen about Dante's choice of exempla, and scholars have been particularly puzzled by Dante's list, and ordering, of the exempla of pride (which has become, indeed, a crux of its own). This article interprets these three groups together as a triptych, and proposes that Dante's choice of exempla becomes understandable when we interpret them in relation to each other in terms of Dante's moral purpose for the terrace as a whole. It argues that Dante invites his reader to reflect upon the three prideful souls identified (Omberto, Oderisi and Salvani) and upon the three groups of prideful examples (delineated by the acrostic 'VOM') in counterposition with the three exempla of humility (Mary, King David and Trajan). By relating these three parts of the terrace and by drawing on a range of theological contexts, it shows how Dante models, in this way, a spiritual exercise of conversion from pride to humility.
dc.language.isoeng
dc.relation.ispartofLe Tre Coroneen
dc.rights© 2017, Publisher / the Authors. This work is made available online with permission from the publisher. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.19272/201712101004en
dc.subjectPQ Romance literaturesen
dc.subjectT-NDASen
dc.subjectBDCen
dc.subject.lccPQen
dc.titleParallel exempla : a theological reading of Dante's terrace of pride (Purgatorio X-XII)en
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.School of Divinityen
dc.contributor.institutionUniversity of St Andrews.St Andrews Institute of Mediaeval Studiesen
dc.identifier.doihttps://doi.org/10.19272/201712101004
dc.description.statusPeer revieweden
dc.identifier.urlhttp://www.libraweb.net/sommari.php?chiave=121en


This item appears in the following Collection(s)

Show simple item record