The film festival as an industry node
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In recent years, an increasing number of film festivals have engaged closely with film production and distribution. This engagement has been realized via a variety of festival-specific models, such as talent campuses, pitching sessions, project funding, distribution labels, streaming platforms, and so on. Thus, the film festival (which, as I have argued elsewhere, has essentially been an exhibition vehicle) is transforming from primarily a display site of completed films into an important factor that often triggers the very cycle of a film’s conception, financing, development, production, and circulation. This short essay outlines the changing status of the film festival as a cluster of creativity and commerce and as a node in more general transnational infrastructures. It comments on the status of scholarship and sets out priorities for research.
Iordanova , D 2015 , ' The film festival as an industry node ' , Media Industries , vol. 1 , no. 3 , pp. 7-11 .
Copyright © 2015 (Dina Iordanova). Media Industries is an open-access, peer-reviewed, online academic journal. As such, we aim to participate in the open exchange of information. This work is licensed under a Creative Commons Attribution Non-commercial No Derivatives (by-nc-nd) License. Under this license, this work is available for sharing and noncommercial distribution provided the appropriate attribution is given.
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