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The skin is a screen
Item metadata
dc.contributor.author | Rider, Alistair | |
dc.contributor.editor | Alison, Maya | |
dc.date.accessioned | 2016-03-08T16:40:09Z | |
dc.date.available | 2016-03-08T16:40:09Z | |
dc.date.issued | 2016-03 | |
dc.identifier.citation | Rider , A 2016 , The skin is a screen . in M Alison (ed.) , Diana Al-Hadid : Phantom Limb . NYUAD Gallery , Abu Dhabi . | en |
dc.identifier.other | PURE: 228444801 | |
dc.identifier.other | PURE UUID: 10d4fc4a-064f-4def-b66b-04f8ba06904e | |
dc.identifier.other | ORCID: /0000-0003-1687-9534/work/60427172 | |
dc.identifier.uri | http://hdl.handle.net/10023/8381 | |
dc.description.abstract | This essay discusses works produced over the first ten years of the career of the Syrian American artist Diana Al-Hadid, and is to be published in an exhibition catalogue entitled "Diana Al-Hadid: Phantom Limb", in conjunction with a retrospective of her work at NYUAD Art Gallery, Abu Dhabi, and David Winton Bell Gallery, Brown University, Rhode Island. | |
dc.language.iso | eng | |
dc.publisher | NYUAD Gallery | |
dc.relation.ispartof | Diana Al-Hadid | en |
dc.rights | Copyright 2016 Alistair Rider. "The Skin is a Screen” originally appeared in Diana Al-Hadid: Phantom Limb, edited by Maya Allison, published by New York University Abu Dhabi. This work is made available online with permission from the publisher. | en |
dc.subject | Sculpture | en |
dc.subject | NB Sculpture | en |
dc.subject.lcc | NB | en |
dc.title | The skin is a screen | en |
dc.type | Book item | en |
dc.description.version | Postprint | en |
dc.contributor.institution | University of St Andrews. School of Art History | en |
dc.contributor.institution | University of St Andrews. Centre for Ancient Environmental Studies | en |
dc.contributor.institution | University of St Andrews. St Andrews Sustainability Institute | en |
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