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dc.contributor.authorRider, Alistair
dc.contributor.editorAlison, Maya
dc.date.accessioned2016-03-08T16:40:09Z
dc.date.available2016-03-08T16:40:09Z
dc.date.issued2016-03
dc.identifier228444801
dc.identifier10d4fc4a-064f-4def-b66b-04f8ba06904e
dc.identifier.citationRider , A 2016 , The skin is a screen . in M Alison (ed.) , Diana Al-Hadid : Phantom Limb . NYUAD Gallery , Abu Dhabi .en
dc.identifier.otherORCID: /0000-0003-1687-9534/work/60427172
dc.identifier.urihttps://hdl.handle.net/10023/8381
dc.description.abstractThis essay discusses works produced over the first ten years of the career of the Syrian American artist Diana Al-Hadid, and is to be published in an exhibition catalogue entitled "Diana Al-Hadid: Phantom Limb", in conjunction with a retrospective of her work at NYUAD Art Gallery, Abu Dhabi, and David Winton Bell Gallery, Brown University, Rhode Island.
dc.format.extent195127
dc.language.isoeng
dc.publisherNYUAD Gallery
dc.relation.ispartofDiana Al-Hadiden
dc.subjectSculptureen
dc.subjectNB Sculptureen
dc.subject.lccNBen
dc.titleThe skin is a screenen
dc.typeBook itemen
dc.contributor.institutionUniversity of St Andrews. School of Art Historyen
dc.contributor.institutionUniversity of St Andrews. Centre for Ancient Environmental Studiesen
dc.contributor.institutionUniversity of St Andrews. St Andrews Sustainability Instituteen


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