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dc.contributor.authorRider, Alistair
dc.contributor.editorAlison, Maya
dc.identifier.citationRider , A 2016 , The skin is a screen . in M Alison (ed.) , Diana Al-Hadid : Phantom Limb . NYUAD Gallery , Abu Dhabi .en
dc.identifier.otherPURE: 228444801
dc.identifier.otherPURE UUID: 10d4fc4a-064f-4def-b66b-04f8ba06904e
dc.identifier.otherORCID: /0000-0003-1687-9534/work/60427172
dc.description.abstractThis essay discusses works produced over the first ten years of the career of the Syrian American artist Diana Al-Hadid, and is to be published in an exhibition catalogue entitled "Diana Al-Hadid: Phantom Limb", in conjunction with a retrospective of her work at NYUAD Art Gallery, Abu Dhabi, and David Winton Bell Gallery, Brown University, Rhode Island.
dc.publisherNYUAD Gallery
dc.relation.ispartofDiana Al-Hadiden
dc.rightsCopyright 2016 Alistair Rider. "The Skin is a Screen” originally appeared in Diana Al-Hadid: Phantom Limb, edited by Maya Allison, published by New York University Abu Dhabi. This work is made available online with permission from the publisher.en
dc.subjectNB Sculptureen
dc.titleThe skin is a screenen
dc.typeBook itemen
dc.contributor.institutionUniversity of St Andrews. School of Art Historyen
dc.contributor.institutionUniversity of St Andrews. Centre for Ancient Environmental Studiesen
dc.contributor.institutionUniversity of St Andrews. St Andrews Sustainability Instituteen

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