The skin is a screen

dc.contributor.author	Rider, Alistair
dc.contributor.editor	Alison, Maya
dc.date.accessioned	2016-03-08T16:40:09Z
dc.date.available	2016-03-08T16:40:09Z
dc.date.issued	2016-03
dc.identifier	228444801
dc.identifier	10d4fc4a-064f-4def-b66b-04f8ba06904e
dc.identifier.citation	Rider , A 2016 , The skin is a screen . in M Alison (ed.) , Diana Al-Hadid : Phantom Limb . NYUAD Gallery , Abu Dhabi .	en
dc.identifier.other	ORCID: /0000-0003-1687-9534/work/60427172
dc.identifier.uri	https://hdl.handle.net/10023/8381
dc.description.abstract	This essay discusses works produced over the first ten years of the career of the Syrian American artist Diana Al-Hadid, and is to be published in an exhibition catalogue entitled "Diana Al-Hadid: Phantom Limb", in conjunction with a retrospective of her work at NYUAD Art Gallery, Abu Dhabi, and David Winton Bell Gallery, Brown University, Rhode Island.
dc.format.extent	195127
dc.language.iso	eng
dc.publisher	NYUAD Gallery
dc.relation.ispartof	Diana Al-Hadid	en
dc.subject	Sculpture	en
dc.subject	NB Sculpture	en
dc.subject.lcc	NB	en
dc.title	The skin is a screen	en
dc.type	Book item	en
dc.contributor.institution	University of St Andrews. School of Art History	en
dc.contributor.institution	University of St Andrews. Centre for Ancient Environmental Studies	en
dc.contributor.institution	University of St Andrews. St Andrews Sustainability Institute	en