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dc.contributor.authorRider, Alistair
dc.contributor.editorAlison, Maya
dc.date.accessioned2016-03-08T16:40:09Z
dc.date.available2016-03-08T16:40:09Z
dc.date.issued2016-03
dc.identifier.citationRider , A 2016 , The skin is a screen . in M Alison (ed.) , Diana Al-Hadid : Phantom Limb . NYUAD Gallery , Abu Dhabi .en
dc.identifier.otherPURE: 228444801
dc.identifier.otherPURE UUID: 10d4fc4a-064f-4def-b66b-04f8ba06904e
dc.identifier.otherScopus: 84996599799
dc.identifier.urihttp://hdl.handle.net/10023/8381
dc.description.abstractThis essay discusses works produced over the first ten years of the career of the Syrian American artist Diana Al-Hadid, and is to be published in an exhibition catalogue entitled "Diana Al-Hadid: Phantom Limb", in conjunction with a retrospective of her work at NYUAD Art Gallery, Abu Dhabi, and David Winton Bell Gallery, Brown University, Rhode Island.
dc.language.isoeng
dc.publisherNYUAD Gallery
dc.relation.ispartofDiana Al-Hadiden
dc.rightsCopyright 2016 Alistair Rider. "The Skin is a Screen” originally appeared in Diana Al-Hadid: Phantom Limb, edited by Maya Allison, published by New York University Abu Dhabi. This work is made available online with permission from the publisher.en
dc.subjectSculptureen
dc.subjectNB Sculptureen
dc.subject.lccNBen
dc.titleThe skin is a screenen
dc.typeBook itemen
dc.description.versionPreprinten
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.School of Art Historyen
dc.contributor.institutionUniversity of St Andrews.Centre for Landscape Studiesen
dc.contributor.institutionUniversity of St Andrews.St Andrews Sustainability Instituteen


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