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dc.contributor.authorTate, Gregory Paul
dc.date.accessioned2016-01-25T14:40:12Z
dc.date.available2016-01-25T14:40:12Z
dc.date.issued2015-12-01
dc.identifier.citationTate , G P 2015 , ' Austen's literary alembic : Sanditon , medicine, and the science of the novel ' , Nineteenth-Century Literature , vol. 70 , no. 3 , pp. 336-362 . https://doi.org/10.1525/ncl.2015.70.3.336en
dc.identifier.issn0891-9356
dc.identifier.otherPURE: 240104050
dc.identifier.otherPURE UUID: 1fe8c11f-d9c2-4364-aa52-82f601602295
dc.identifier.otherScopus: 84963760416
dc.identifier.otherBibCode: NIS240104050
dc.identifier.otherORCID: /0000-0002-5930-8187/work/60631342
dc.identifier.otherWOS: 000369516700002
dc.identifier.urihttps://hdl.handle.net/10023/8075
dc.description.abstractThis essay examines the representation of science in Jane Austen’s unfinished novel Sanditon. It argues that this text, written in the months before Austen’s death in 1817, points to a development in her understanding of the novel, one that associates the form with the emerging scientific disciplines of the early nineteenth century through its emphasis on empirical objectivity and professional expertise. These traits are exemplified in the medical profession, which is central to Sanditon’s plot. Austen’s text presents a range of different types of medical knowledge and practice, and it celebrates professional medical advice as a safe middle ground between the commercial exploitation of quackery and the uninformed subjectivism of hypochondria. Similar issues are at stake in the text’s considerations of the literary marketplace: while acknowledging some of the problems involved in the growing commodification of the novel, Sanditon also satirizes the undisciplined reading habits of careless readers, and it promotes a view of the novel as an objective and professional articulation of knowledge. Sanditon’s advocacy of professional objectivity is conveyed in its narrative stance as well as its plot: the text focuses not on the subjectivity of a single protagonist but on the objective observation and experimental comparison of the interactions between a number of characters and between those characters and their environment. The essay concludes that the methodologies of science, as they were practiced within the medical profession, played a significant part in Austen’s understanding of the profession of writing at the end of her career.
dc.language.isoeng
dc.relation.ispartofNineteenth-Century Literatureen
dc.rights© 2015 The Regents of the University of California. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at https://dx.doi.org/10.1525/ncl.2015.70.3.336. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by the Regents of the University of California for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center.en
dc.subjectJane Austenen
dc.subjectSanditonen
dc.subjectscienceen
dc.subjectmedicineen
dc.subjectprofessionalismen
dc.subjectPR English literatureen
dc.subjectBDCen
dc.subjectR2Cen
dc.subject.lccPRen
dc.titleAusten's literary alembic : Sanditon, medicine, and the science of the novelen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews. School of Englishen
dc.identifier.doihttps://doi.org/10.1525/ncl.2015.70.3.336
dc.description.statusPeer revieweden


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