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dc.contributor.authorGirelli, Elisabetta
dc.date.accessioned2015-11-10T10:40:03Z
dc.date.available2015-11-10T10:40:03Z
dc.date.issued2015-11-07
dc.identifier.citationGirelli , E 2015 , ' Before The Sheik : Rudolph Valentino and Sexual Melancholia ' Film International , vol 13 , no. 2 . DOI: 10.1386/fiin.13.2.6_1en
dc.identifier.issn1651-6826
dc.identifier.otherPURE: 124566588
dc.identifier.otherPURE UUID: 7c02dc21-e29a-4de2-8ee1-988a90660847
dc.identifier.otherScopus: 84946097052
dc.identifier.urihttp://hdl.handle.net/10023/7759
dc.description.abstractOnce he was cast as the powerful, yet sexually-on-display Ahmed Ben Hassan in The Sheik (George Melford, 1921), Rudolph Valentino rose to super-stardom, the bearer of a conflicted image defined by a fragmented patriarchal discourse. The enduring resonance of the ‘Sheik’ identification, combined with a lack of critical attention to Valentino’s performance, have obscured the different qualities he projected in earlier leading roles, at the dawn of his star trajectory. This paper focuses on Valentino’s three other surviving films from 1921, which preceded The Sheik in rapid succession. It argues that here Valentino’s narrative roles, and most especially his performance, are increasingly defined by a sense of loss, powerlessness, and lack of control, informing his predominantly erotic function on screen. Drawing on the work of Leo Bersani and Sigmund Freud, this paper highlights how a key strand of Valentino’s performance suggests the body’s failure to control and connect with the world beyond the Self. In an expression of sexual melancholia, Valentino’s intensity of desire, mourning, and pain marks his physical presence, constructing an erotic identity that attempts yet always fails to defer loss. In contrast with his ‘sexual menace’ image, cristallised by the Sheik persona and tempered by his ambivalent relation to the gaze, in these earlier films Valentino provides a different antidote to patriarchal brutality, embodying the essentially melancholic nature of erotic experience.en
dc.language.isoeng
dc.relation.ispartofFilm Internationalen
dc.rightsCopyright 2015 the Author. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at http://dx.doi.org/10.1386/fiin.13.2.6_1en
dc.subjectRudolph Valentinoen
dc.subjectSexual melancholiaen
dc.subjectSigmund Freuden
dc.subjectLeo Bersanien
dc.subjectCamilleen
dc.subjectThe Four Horsemen of the Apocalypseen
dc.subjectThe Conquering Poweren
dc.subjectThe Sheiken
dc.subjectPN1993 Motion Picturesen
dc.subject.lccPN1993en
dc.titleBefore The Sheik : Rudolph Valentino and Sexual Melancholiaen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews. Film Studiesen
dc.identifier.doihttps://doi.org/10.1386/fiin.13.2.6_1
dc.description.statusNon peer revieweden


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