The geopolitics of spectatorship and screen identification : what's queer about Italian cinema?

dc.contributor.author	Duncan, Derek Egerton
dc.date.accessioned	2015-05-31T23:10:45Z
dc.date.available	2015-05-31T23:10:45Z
dc.date.issued	2013-06
dc.identifier	114549948
dc.identifier	6fe231f4-af9b-4a21-b7fb-a574c305deb7
dc.identifier	84884957117
dc.identifier.citation	Duncan , D E 2013 , ' The geopolitics of spectatorship and screen identification : what's queer about Italian cinema? ' , The Italianist , vol. 33 , no. 2 , pp. 256-261 . https://doi.org/10.1179/0261434013Z.00000000048	en
dc.identifier.issn	0261-4340
dc.identifier.other	ORCID: /0000-0002-1188-4935/work/57568222
dc.identifier.uri	https://hdl.handle.net/10023/6715
dc.format.extent	5
dc.format.extent	166127
dc.language.iso	eng
dc.relation.ispartof	The Italianist	en
dc.subject	Queer	en
dc.subject	Italian film	en
dc.subject	Translational	en
dc.subject	Spectatorship	en
dc.subject	PC Romance languages	en
dc.subject.lcc	PC	en
dc.title	The geopolitics of spectatorship and screen identification : what's queer about Italian cinema?	en
dc.type	Journal article	en
dc.contributor.institution	University of St Andrews. Italian	en
dc.contributor.institution	University of St Andrews. School of Modern Languages	en
dc.identifier.doi	10.1179/0261434013Z.00000000048
dc.description.status	Peer reviewed	en
dc.date.embargoedUntil	2015-06-01
dc.identifier.url	http://www.maneypublishing.com	en