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dc.contributor.authorDuncan, Derek Egerton
dc.date.accessioned2015-05-31T23:10:45Z
dc.date.available2015-05-31T23:10:45Z
dc.date.issued2013-06
dc.identifier.citationDuncan , D E 2013 , ' The geopolitics of spectatorship and screen identification : what's queer about Italian cinema? ' , The Italianist , vol. 33 , no. 2 , pp. 256-261 . https://doi.org/10.1179/0261434013Z.00000000048en
dc.identifier.issn0261-4340
dc.identifier.otherPURE: 114549948
dc.identifier.otherPURE UUID: 6fe231f4-af9b-4a21-b7fb-a574c305deb7
dc.identifier.otherScopus: 84884957117
dc.identifier.otherORCID: /0000-0002-1188-4935/work/57568222
dc.identifier.urihttp://hdl.handle.net/10023/6715
dc.format.extent5
dc.language.isoeng
dc.relation.ispartofThe Italianisten
dc.rights© Italian Studies at the Universities of Cambridge, Leeds and Reading 2013. Published by W. S. Maney & Son Ltden
dc.subjectQueeren
dc.subjectItalian filmen
dc.subjectTranslationalen
dc.subjectSpectatorshipen
dc.subjectPC Romance languagesen
dc.subject.lccPCen
dc.titleThe geopolitics of spectatorship and screen identification : what's queer about Italian cinema?en
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.Italianen
dc.contributor.institutionUniversity of St Andrews.School of Modern Languagesen
dc.identifier.doihttps://doi.org/10.1179/0261434013Z.00000000048
dc.description.statusPeer revieweden
dc.date.embargoedUntil2015-06-01
dc.identifier.urlhttp://www.maneypublishing.comen


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