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dc.contributor.authorTorchin, Leshu
dc.date.accessioned2014-10-20T09:31:03Z
dc.date.available2014-10-20T09:31:03Z
dc.date.issued2014
dc.identifier.citationTorchin , L 2014 , ' Mediation and Remediation: La Parole Filmée in Rithy Panh’s The Missing Picture (L’image manquante) ' Film Quarterly , vol 68 , no. 1 , pp. 32-41 . DOI: 10.1525/fq.2014.68.1.32en
dc.identifier.issn0015-1386
dc.identifier.otherPURE: 144010566
dc.identifier.otherPURE UUID: ed4f6369-9516-44ec-8002-959f33364fa9
dc.identifier.otherScopus: 84909987229
dc.identifier.urihttp://hdl.handle.net/10023/5559
dc.identifier.urihttp://www.jstor.org/stable/10.1525/fq.2014.68.1.32en
dc.description.abstractL’image manquante/The Missing Picture (Rithy Panh, 2013), Rithy Panh continues his exploration of the Cambodian genocide. Combining Khmer Rouge propaganda films, contemporary video footage and painted clay figurines in stunningly crafted—often multimedia—dioramas, the documentary couples ruminations on mediation, trauma, and history with Panh’s personal story. However, the film reaches beyond individual narrative and reflection, functioning as cinematic witness as it counters silences, fills historical gaps, and provides a testimony that is polyphonic and collective. And through his deployment of clips from his former films, Panh creates a sedimented text, suggestive of a past that refuses to stay past and of the magnitude of history, where any production of memory can both preserve and veil the lives of others.en
dc.format.extent10en
dc.language.isoeng
dc.relation.ispartofFilm Quarterlyen
dc.rights© 2014 by The Regents of the University of California. Published as Film Quarterly, Vol. 68, Number 1, pp. 32–41, ISSN 0015-1386, electronic ISSN 1533-8630. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by [the Regents of the University of California/on behalf of the Sponsoring Society] for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® on [JSTOR (http://www.jstor.org/r/ucal)] or directly with the Copyright Clearance Center, http://www.copyright.comen
dc.subjectN Visual arts (General) For photography, see TRen
dc.subject.lccN1en
dc.titleMediation and Remediation: La Parole Filmée in Rithy Panh’s The Missing Picture (L’image manquante)en
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. Film Studiesen
dc.identifier.doihttps://doi.org/10.1525/fq.2014.68.1.32
dc.description.statusPeer revieweden


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