Show simple item record

Files in this item


Item metadata

dc.contributor.authorSutton, Emma Sophie
dc.identifier.citationSutton , E S 2010 , ' 'Putting Words on the Backs of Rhythm' : Woolf, 'Street Music', and The Voyage Out ' , Paragraph , vol. 33 , no. 2 , pp. 176-196 .
dc.identifier.otherPURE: 21569546
dc.identifier.otherPURE UUID: b792aa80-08df-40a1-b978-f840c0b464b8
dc.identifier.otherWOS: 000280053300003
dc.identifier.otherScopus: 77954594712
dc.identifier.otherORCID: /0000-0003-1481-3961/work/61133074
dc.description.abstractThis essay explores Virginia Woolf's representation of rhythm in two early texts-her neglected 1905 essay 'Street Music' and her first novel, The Voyage Out (1915). It teases out the texts' characterisations of musical, literary, bodily and urban rhythms, considering their implications for a theory of literary rhythm more broadly. Arguing that rhythm has a central place in Woolf's writing practice, prose style and theories of writing, the essay charts the relationship between rhythm, individuality and literary value in these texts, and in selected correspondence, diary extracts, essays and fiction.
dc.rightsCopyright © 2013. Edinburgh University Press. Deposited according to publisher policy.en
dc.title'Putting Words on the Backs of Rhythm' : Woolf, 'Street Music', and The Voyage Outen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. School of Englishen
dc.description.statusPeer revieweden

This item appears in the following Collection(s)

Show simple item record