'Putting Words on the Backs of Rhythm' : Woolf, 'Street Music', and The Voyage Out

Sutton, Emma Sophie

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dc.contributor.author	Sutton, Emma Sophie
dc.date.accessioned	2013-08-24T19:01:04Z
dc.date.available	2013-08-24T19:01:04Z
dc.date.issued	2010-07
dc.identifier	21569546
dc.identifier	b792aa80-08df-40a1-b978-f840c0b464b8
dc.identifier	000280053300003
dc.identifier	77954594712
dc.identifier.citation	Sutton , E S 2010 , ' 'Putting Words on the Backs of Rhythm' : Woolf, 'Street Music', and The Voyage Out ' , Paragraph , vol. 33 , no. 2 , pp. 176-196 . https://doi.org/10.3366/E0264833410000830	en
dc.identifier.issn	0264-8334
dc.identifier.other	ORCID: /0000-0003-1481-3961/work/61133074
dc.identifier.uri	https://hdl.handle.net/10023/3989
dc.description.abstract	This essay explores Virginia Woolf's representation of rhythm in two early texts-her neglected 1905 essay 'Street Music' and her first novel, The Voyage Out (1915). It teases out the texts' characterisations of musical, literary, bodily and urban rhythms, considering their implications for a theory of literary rhythm more broadly. Arguing that rhythm has a central place in Woolf's writing practice, prose style and theories of writing, the essay charts the relationship between rhythm, individuality and literary value in these texts, and in selected correspondence, diary extracts, essays and fiction.
dc.format.extent	21
dc.format.extent	131072
dc.language.iso	eng
dc.relation.ispartof	Paragraph	en
dc.title	'Putting Words on the Backs of Rhythm' : Woolf, 'Street Music', and The Voyage Out	en
dc.type	Journal article	en
dc.contributor.institution	University of St Andrews. School of English	en
dc.identifier.doi	https://doi.org/10.3366/E0264833410000830
dc.description.status	Peer reviewed	en

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