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dc.contributor.authorNorman, Lisa
dc.contributor.authorKemp, Jonathan A
dc.contributor.authorChick, John
dc.contributor.authorCampbell, Murray
dc.contributor.editorBresin, Roberto
dc.contributor.editorAskenfelt, Anders
dc.date.accessioned2013-08-09T09:31:02Z
dc.date.available2013-08-09T09:31:02Z
dc.date.issued2013-07-30
dc.identifier.citationNorman , L , Kemp , J A , Chick , J & Campbell , M 2013 , Pitch bending technique on early horns by manipulation of the embouchure : a comparison between measured and predicted data . in R Bresin & A Askenfelt (eds) , Proceedings of the Stockholm Music Acoustics Conference 2013 : 4th Stockholm Music Acoustics Conference . Royal Institute of Technology (KTH) , Stockholm , pp. 534-539 , Proceedings of the Stockholm Music Acoustics Conference 2013, SMAC 2013 , Stockholm , Sweden , 30/07/13 .en
dc.identifier.citationconferenceen
dc.identifier.isbn978-91-7501-830-0
dc.identifier.otherPURE: 63626064
dc.identifier.otherPURE UUID: 988bf7ce-9f46-4278-8968-e20fdcebd74d
dc.identifier.otherORCID: /0000-0002-3861-4863/work/37034227
dc.identifier.urihttp://hdl.handle.net/10023/3951
dc.description.abstractBrass players sometimes adopt a technique whereby they adjust their embouchure in order to alter or bend the pitch of a note away from the centre of the resonance. The ease and control with which this can be achieved is an important factor in assessing the playability of a brass instrument. A good instrument will have well defined resonances, but experienced players do not like instruments with notes that are too ‘stiff’, and which lack sufficient flexibility for musical expression. The need for the ability to bend the pitch of a note is particularly important for natural trumpets and horns used in the baroque era, when instruments did not have valves and players were required to bend the pitch of some resonances (e.g. the 11th and 13th) by a significant fraction of a semitone. The instrument and player form a complex and closely coupled system. Using experimental data from playing tests on early orchestral horns, and comparing these results with those from a recently developed time domain model, it is possible to begin to identify features of an instrument and its interaction with a player which make it more or less susceptible to this type of manipulation.
dc.format.extent6
dc.language.isoeng
dc.publisherRoyal Institute of Technology (KTH)
dc.relation.ispartofProceedings of the Stockholm Music Acoustics Conference 2013en
dc.rightsCopyright: (c) 2013 Lisa Norman et al. This is an open-access article distributed under the terms of the Creative Commons Attribution 3.0 Unported License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.en
dc.subjectLipen
dc.subjectHornen
dc.subjectPhysical modellingen
dc.subjectSynthesisen
dc.subjectBenden
dc.subjectML Literature of musicen
dc.subjectQC Physicsen
dc.subjectAcoustics and Ultrasonicsen
dc.subject.lccMLen
dc.subject.lccQCen
dc.titlePitch bending technique on early horns by manipulation of the embouchure : a comparison between measured and predicted dataen
dc.typeConference itemen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.Music Centreen
dc.identifier.urlhttp://www.speech.kth.se/smac-smc-2013/proceedings/SMAC2013_Proceedings_online-version.pdfen


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