Show simple item record

Files in this item

FilesSizeFormatView

There are no files associated with this item.

Item metadata

dc.contributor.advisorMartin-Jones, David
dc.contributor.authorPekerman, Serazer
dc.coverage.spatial203en_US
dc.date.accessioned2012-09-22T19:50:01Z
dc.date.available2012-09-22T19:50:01Z
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10023/3138
dc.description.abstractThis study compares independent films from different countries (Turkey, Denmark, Iran and Spain) in a transnational context. Making use of schizoanalytic concepts, it presents an analysis of filmic space in relation to character construction in the internationally acclaimed contemporary films: Ten (Abbas Kiarostami, 2002), Talk to Her (Pedro Almodóvar, 2002), Two Girls (Kutluğ Ataman, 2005), Allegro (Christoffer Boe, 2005), The Others (Alejandro Amenábar, 2001), Destiny (Zeki Demirkubuz, 2006), Offside (Jafar Panahi, 2006), Dogville (Lars von Trier, 2003) and Climates (Nuri Bilge Ceylan, 2006). I argue that these films are feminist texts, in which becoming-woman of the female character deterritorializes the patriarchal ideal of home(land) as a political statement. In the above listed films filmic space is never configured as a harmonious unity of a righteous woman and a peaceful home. Despite the pervading homelessness, the female characters turn the male dominated public space into a habitable place through the filmic assemblages with space, objects and other characters. I also argue that the homelessness and the problematic connection between the female character and the storyworld posits a metaphor for the disconnection between the auteur-filmmakers and their home(land)s.en_US
dc.language.isoenen_US
dc.publisherUniversity of St Andrews
dc.subjectFemale intimacyen_US
dc.subjectFilm theoryen_US
dc.subjectFilmic spaceen_US
dc.subjectSchizoanalysisen_US
dc.subjectTransnationalen_US
dc.subject.lccPN1995.9W67
dc.subject.lcshWomen in motion picturesen_US
dc.subject.lcshFeminism and motion picturesen_US
dc.subject.lcshMotion pictures and transnationalismen_US
dc.subject.lcshPsychoanalysis and motion picturesen_US
dc.titleFramed intimacy : representation of woman in transnational cinemasen_US
dc.typeThesisen_US
dc.type.qualificationlevelDoctoralen_US
dc.type.qualificationnamePhD Doctor of Philosophyen_US
dc.publisher.institutionThe University of St Andrewsen_US
dc.rights.embargodate2021-06-03en_US
dc.rights.embargoreasonThesis restricted in accordance with University regulations. Print and electronic copy restricted until 3rd June 2021en_US


The following license files are associated with this item:

This item appears in the following Collection(s)

Show simple item record