Focusing on the transnational and the peripheral elements of film, we develop and expand the entire realm of film scholarship. Working on areas from Deleuze to Korean cinema, from digital cinema to Eastern Europe, from transnational auteurs to documentary and activist films, and many areas in between, we promise a vibrant and engaging research environment for students and scholars.
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(University of St Andrews, 2014-12) - ThesisThis thesis addresses a set of transformations in the symbolic construction of America, as reflected by a number of films released during what is commonly referred to as the post 9/11 period. Following a rich debate in the ...
(2016-03-01) - Journal articleIn its history, production, plots and gestures, slapstick comedy was tied to the rise of modern labor in terms of both Taylorist theory and Fordist practice. Comic heroes ranging from live action comedians Chaplin or Keaton ...
"Beauty in the lap of horror" : the gothic appeal of Erich von Stroheim in Blind Husbands (1919) and Foolish Wives (1922) (2017-08-16) - Journal articleThis article revisits a seminal figure of film history, the director/actor/scriptwriter Erich von Stroheim, focusing on his early work, and arguing that a Gothic framework is the most appropriate context for making sense ...
(University of St Andrews, 2014) - ThesisThis thesis investigates fifty years of Uruguayan cinema in order to revisit the relationship between cinema and nation, at a time in which transnational flows are putting into question the concept of nation and, more ...
Learning to love the movies : puzzles, participation and cinephilia in interwar European film magazines (2016-01-30) - Journal article