Film Studies
Focusing on the transnational and the peripheral elements of film, we develop and expand the entire realm of film scholarship. Working on areas from Deleuze to Korean cinema, from digital cinema to Eastern Europe, from transnational auteurs to documentary and activist films, and many areas in between, we promise a vibrant and engaging research environment for students and scholars.
For more information please visit the Department of Film Studies home page.
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Recent Submissions
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Ecuadorian cinema for the 21st century : negotiating neoliberalism? Policy, industry, and memory during the Ley de Cine years
(University of St Andrews, 2022-06-13) - ThesisThis thesis examines Ecuadorian cinema after the 2006 National Film Promotion Law or Ley de Cine, and its relationship to the encompassing political ideology of Socialism for the 21st century. It contends that the local ... -
When the place speaks : an analysis of the use of venues and locations in the international film festival circuit
(2023-11-30) - ThesisThis thesis examines how film festival venues participate in shaping broader film cultures. It proposes an approach to studying film festivals that is founded on looking at their physical spaces instead of merely focusing ... -
The material life of world cinema : dynamics of ‘discovery’ and ‘rediscovery’ at the Cineteca di Bologna (1960-2018)
(2022-06-13) - ThesisThis thesis explores how concepts and canons of world cinema were historically and materially conditioned by European film institutions. Using the Fondazione Cineteca di Bologna as a dynamic case study, it retraces the ... -
Nostalgia and Chinese new waves
(2022-05-20) - ThesisThis study considers the underexplored uses of nostalgia by filmmakers from the Chinese New Waves. Over the last few decades, Svetlana Boym, Paul Grainge, and many other scholars have argued that nostalgia can be exploited ... -
An in/divisible whole : time, space, and technologies of mediation in the Musée de l'Homme
(University of St Andrews, 2021-06-28) - ThesisThis thesis examines the development of cinema as part of the broader institutional ecology of the Musée de l’Homme between the 1930s and 1960s. In particular, it asks how film was used to analyse, illustrate, promote, and ...
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