Focusing on the transnational and the peripheral elements of film, we develop and expand the entire realm of film scholarship. Working on areas from Deleuze to Korean cinema, from digital cinema to Eastern Europe, from transnational auteurs to documentary and activist films, and many areas in between, we promise a vibrant and engaging research environment for students and scholars.
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(2017-03) - Journal articleDiscussion of cinematic affect most typically attends to response, the impact of the film as we experience it. In this vein, various writers have drawn attention to the physicality of hearing (Sobchack 2005; Cubitt 1998), ...
(2014) - Journal articleThis article discusses intermedial relations between film and new technologies of broadcast—telegraph, radio and television—in interwar Europe, culminating in a reading of Abel Gance’s largely forgotten radio film La fin ...
‘Just plain Danilo Petrovich’ : John Gilbert’s performance as negotiation in The Merry Widow (1925) (2016-12-20) - Journal article
(2016-01) - Journal articlePrevious writing on the hugely popular series Inspector Morse (1987–1998) has stressed the presentation of space and place as conforming to a heritage aesthetic, characterized by quality and nostalgia. This article seeks ...
"Are you proud to be British?" Mobile film shows, local voices and the demise of the British Empire in Africa (2016) - Journal articleThe Colonial Film Unit (CFU) (1939–1955) produced over 200 films, which were exhibited non-theatrically to African audiences through its fleet of mobile cinema vans. While the CFU closely monitored, and theorised on, its ...