Focusing on the transnational and the peripheral elements of film, we develop and expand the entire realm of film scholarship. Working on areas from Deleuze to Korean cinema, from digital cinema to Eastern Europe, from transnational auteurs to documentary and activist films, and many areas in between, we promise a vibrant and engaging research environment for students and scholars.
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‘Just plain Danilo Petrovich’ : John Gilbert’s performance as negotiation in The Merry Widow (1925) (2016-12-20) - Journal article
(2016-01) - Journal articlePrevious writing on the hugely popular series Inspector Morse (1987–1998) has stressed the presentation of space and place as conforming to a heritage aesthetic, characterized by quality and nostalgia. This article seeks ...
"Are you proud to be British?" Mobile film shows, local voices and the demise of the British Empire in Africa (2016) - Journal articleThe Colonial Film Unit (CFU) (1939–1955) produced over 200 films, which were exhibited non-theatrically to African audiences through its fleet of mobile cinema vans. While the CFU closely monitored, and theorised on, its ...
(2015) - Journal articleLincoln features several key moments in which the conventional, realist coordinates of the historical biopic open to a deeper sense of time and place, evoked in the film's references to clairvoyance, haunting, and ‘bad ...
(2015) - Journal articleIn recent years, an increasing number of film festivals have engaged closely with film production and distribution. This engagement has been realized via a variety of festival-specific models, such as talent campuses, ...