Creolization and the collective unconscious : Locating the originality of art in Wilson Harris' Jonestown, The Mask of the Beggar and The Ghost of Memory

Name:: Creolization_and_the_Collective_Unconscious_Locating_the_Originality_of_Art_in_Wilson_Harris_s_Jonestown_The_Mask_of_the_Beggar_and_the_Ghost_of_Memory_.pdf
Size:: 135.2Kb
Format:: PDF

dc.contributor.author	Burns, Lorna Margaret
dc.date.accessioned	2012-09-10T14:01:04Z
dc.date.available	2012-09-10T14:01:04Z
dc.date.issued	2008
dc.identifier	27444892
dc.identifier	4bb15157-cf2d-49fa-831e-81c1a107fa07
dc.identifier.citation	Burns , L M 2008 , ' Creolization and the collective unconscious : Locating the originality of art in Wilson Harris' Jonestown , The Mask of the Beggar and The Ghost of Memory ' , Postcolonial Text .	en
dc.identifier.issn	1705-9100
dc.identifier.other	ORCID: /0000-0002-2142-8853/work/60631211
dc.identifier.uri	https://hdl.handle.net/10023/3065
dc.format.extent	18
dc.format.extent	138506
dc.language.iso	eng
dc.relation.ispartof	Postcolonial Text	en
dc.subject	PN0080 Criticism	en
dc.subject.lcc	PN0080	en
dc.title	Creolization and the collective unconscious : Locating the originality of art in Wilson Harris' Jonestown, The Mask of the Beggar and The Ghost of Memory	en
dc.type	Journal article	en
dc.contributor.institution	University of St Andrews. School of English	en
dc.description.status	Peer reviewed	en
dc.identifier.url	http://postcolonial.org/index.php/pct/article/view/765	en