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dc.contributor.authorBurns, Lorna Margaret
dc.date.accessioned2012-09-10T14:01:04Z
dc.date.available2012-09-10T14:01:04Z
dc.date.issued2008
dc.identifier.citationBurns , L M 2008 , ' Creolization and the collective unconscious : Locating the originality of art in Wilson Harris' Jonestown , The Mask of the Beggar and The Ghost of Memory ' , Postcolonial Text .en
dc.identifier.issn1705-9100
dc.identifier.otherPURE: 27444892
dc.identifier.otherPURE UUID: 4bb15157-cf2d-49fa-831e-81c1a107fa07
dc.identifier.otherORCID: /0000-0002-2142-8853/work/60631211
dc.identifier.urihttp://hdl.handle.net/10023/3065
dc.format.extent18
dc.language.isoeng
dc.relation.ispartofPostcolonial Texten
dc.rights(c) 2008 The authoren
dc.subjectPN0080 Criticismen
dc.subject.lccPN0080en
dc.titleCreolization and the collective unconscious : Locating the originality of art in Wilson Harris' Jonestown, The Mask of the Beggar and The Ghost of Memoryen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.School of Englishen
dc.description.statusPeer revieweden
dc.identifier.urlhttp://postcolonial.org/index.php/pct/article/view/765en


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