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dc.contributor.authorMartin, Edward
dc.contributor.authorKnotts, Shelly
dc.contributor.authorPhillips, Michelle
dc.contributor.authorWeise, Nicholas
dc.contributor.authorMeagher, Thomas Robert
dc.contributor.authorBarker, Daniel
dc.date.accessioned2024-06-10T12:31:45Z
dc.date.available2024-06-10T12:31:45Z
dc.date.issued2024-05-27
dc.identifier303246817
dc.identifier07158022-a55c-4e30-9a40-708c2423ef26
dc.identifier85194873985
dc.identifier.citationMartin , E , Knotts , S , Phillips , M , Weise , N , Meagher , T R & Barker , D 2024 , ' Innovative communication of molecular evolution through sound : a biological sonification concert ' , Evolution Education and Outreach , vol. 17 , no. 6 , pp. 1-6 . https://doi.org/10.1186/s12052-024-00200-5en
dc.identifier.issn1936-6434
dc.identifier.urihttps://hdl.handle.net/10023/30010
dc.descriptionFunding: The work was supported by a grant from the University of Edinburgh’s Festival of Creative Learning Pop-up Fund, the School of Biological Sciences at the University of Edinburgh, and a studentship with the East of Scotland Bioscience Doctoral Training Partnership (EASTBIO) funded by UKRI Biotechnology and Biological Sciences Research Council (BBSRC) Grant Number BB/M010996/1.en
dc.description.abstractBackground   A major challenge of evolutionary biology is making underlying concepts accessible to wide audiences. One method for doing so is to utilise multi-media formats that have potential to engage and inform through entertainment. This pilot study outlines and discusses a sonification concert that integrated musical performance with a range of evolutionary concepts and ideas fundamental to an understanding of evolution, such as protein sequences. We aimed to showcase sound-art objects and live-coding performances created using sonification as a mechanism for presenting complex biological processes to both researcher and non-researchers. We sought to evaluate the effectiveness of this art-adjacent practice for public engagement with evolutionary biology research, and also to gather feedback to guide future events. Toward this end, we held a live concert showcasing biologically based algorithmic music exploring links between evolutionary biology research, sound art, and musical performance. The event had three main acts: a generative audio-visual piece giving an artistic representation of SARS coronavirus based on a parameter-mapping sonification of protein sequence of the replicase polyprotein; a pre-recorded string ensemble demonstrating the effects of codon selection on translation speed using parameter-mapping sonification; and a live-coded music piece interactively sonifying protein structures. Results  Our event attracted 90 attendees. We evaluated success using direct observation and written feedback forms with a 58% response rate: 95% of respondents stated they had enjoyed the event and 63% indicated they were inspired by it. Conclusions   Presenting the sonic outputs of sonification research in a concert format showed good potential for the pursuit of public engagement with evolutionary biology research, demonstrating the ability to engage curiosity and inspire an audience while also conveying scientific content alongside the nuanced and complex world of modern evolutionary biology.
dc.format.extent6
dc.format.extent1887374
dc.language.isoeng
dc.relation.ispartofEvolution Education and Outreachen
dc.subjectSonificationen
dc.subjectPublic engagementen
dc.subjectGenerative musicen
dc.subjectCoronavirusen
dc.subjectMolecular biologyen
dc.subjectAlgorithmic musicen
dc.subjectLive codingen
dc.subjectProtein structureen
dc.subjectQualitative researchen
dc.subjectMolecular evolutionen
dc.subjectQH301 Biologyen
dc.subjectT-NDASen
dc.subject.lccQH301en
dc.titleInnovative communication of molecular evolution through sound : a biological sonification concerten
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. School of Biologyen
dc.contributor.institutionUniversity of St Andrews. Centre for Biological Diversityen
dc.contributor.institutionUniversity of St Andrews. St Andrews Sustainability Instituteen
dc.identifier.doi10.1186/s12052-024-00200-5
dc.description.statusPeer revieweden


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