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dc.contributor.authorLee, Gregory B
dc.date.accessioned2024-04-04T15:30:09Z
dc.date.available2024-04-04T15:30:09Z
dc.date.issued2023-12-20
dc.identifier294241484
dc.identifier46b544df-6f92-4851-8e23-58db9540f956
dc.identifier.citationLee , G B 2023 , ' Keynote - Hong Kong Writing Today : Cantonese, Polyglossia and the Postcolonial Condition ' , Writing Chinese: A Journal of Contemporary Sinophone Writing , vol. 2 , no. 1 , pp. 3-15 . https://doi.org/10.22599/wcj.41en
dc.identifier.issn2633-8815
dc.identifier.otherORCID: /0000-0001-6304-6581/work/149332830
dc.identifier.urihttps://hdl.handle.net/10023/29608
dc.descriptionKeynoteen
dc.description.abstractKeynote article Historically, Hong Kong writing is a thoroughfare that has sprouted many spatial and linguistic byways out of the territory that once nurtured it. Its provisional terminus is a nebulous, but increasingly populated creative diaspora. How then should we approach the prospect of such a post 2019–2020 Hong Kong protests creators’ diaspora? Should our discursive tone be hagiographic, heroic, or realistic? Is there a real prospect of a durable creative exile community taking hold?
dc.format.extent12
dc.format.extent475634
dc.language.isoeng
dc.relation.ispartofWriting Chinese: A Journal of Contemporary Sinophone Writingen
dc.subjectHong Kongen
dc.subjectwritingen
dc.subjectliteratureen
dc.subjectChineseen
dc.subjectCantoneseen
dc.subjectpolyglossiaen
dc.subjectpostcolonialen
dc.subjectP Language and Literatureen
dc.subjectArts and Humanities(all)en
dc.subjectT-NDASen
dc.subject.lccPen
dc.titleKeynote - Hong Kong Writing Today : Cantonese, Polyglossia and the Postcolonial Conditionen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. Chineseen
dc.identifier.doi10.22599/wcj.41
dc.description.statusPeer revieweden
dc.identifier.urlhttps://storage.googleapis.com/jnl-wr-j-wcajcsl-files/journals/1/articles/50/6582ff3146c5a.pdfen


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