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dc.contributor.authorClemente, A.
dc.contributor.authorPenacchio, O.
dc.contributor.authorVila-Vidal, M.
dc.contributor.authorPepperell, R.
dc.contributor.authorRuta, N.
dc.date.accessioned2023-06-30T09:30:16Z
dc.date.available2023-06-30T09:30:16Z
dc.date.issued2023-04-20
dc.identifier287005167
dc.identifier5d8aa8ad-6bc7-4e8d-af08-94b77092d224
dc.identifier.citationClemente , A , Penacchio , O , Vila-Vidal , M , Pepperell , R & Ruta , N 2023 , ' Explaining the curvature effect : perceptual and hedonic evaluations of visual contour ' , Psychology of Aesthetics, Creativity, and the Arts , vol. Advance online . https://doi.org/10.31234/osf.io/pdhkf , https://doi.org/10.1037/aca0000561en
dc.identifier.issn1931-3896
dc.identifier.otherRIS: urn:76845AAB3D5FCBCE997B83B4579F1A4B
dc.identifier.otherORCID: /0000-0001-5300-2913/work/136288897
dc.identifier.urihttps://hdl.handle.net/10023/27858
dc.descriptionFunding: The project leading to these results has received funding from “La Caixa” Foundation (ID 100010434) under agreement LCF/BQ/ES17/11600021 awarded to Ana Clemente, from “La Caixa” Foundation (ID 100010434) under agreement LCF/BQ/DE17/11600022 awarded to Manel Vila-Vidal, and Olivier Penacchio was partially funded by a Leverhulme grant (RPG-2019-96) to Professor Julie M. Harris and a Research Incentive Grant from the Carnegie Trust (RIG009298).en
dc.description.abstractPreference for curvature, the curvature effect, seems to transcend cultures, species, and stimulus kinds. However, its nature and psychological mechanisms remain obscure because studies often overlook the complexity of contour characterization and disregard personal and contextual factors. To investigate the curvature effect, we propose a continuous and multidimensional manipulation and contrasting experimental conditions examined at the group and individual levels that unveil a complex picture, not reducible to monotonous relationships: Perceptual and hedonic evaluations relied on multiple geometric features defining contour and shape. These features were specifically weighted to characterize each construct, depending on the individual and contingent on whether evaluating perceptually or hedonically. Crucially, the curvature effect was not robust to preference with respect to the median and continuous manipulations of contour for varying shapes. As curved contours are more easily perceived and processed than polygons, we hypothesized that perceived contour might explain liking for a figure beyond the effect of geometric features, finding that this association was subordinated to shape categorizations. Finally, domain-specific, personality, and cognitive-preference traits moderated how people used each geometric feature in their perceptual and hedonic evaluations. We conclude that research on perception and appreciation of contour and shape should factor in their complexity and defining features. Additionally, embracing individual sensitivities opens potential avenues to advance the understanding of psychological phenomena. In summary, our approach unpacks a complex picture of contour preference that prompts critical reflections on past research and advice for future research, and it is applicable to other psychological constructs.
dc.format.extent21
dc.format.extent803748
dc.language.isoeng
dc.relation.ispartofPsychology of Aesthetics, Creativity, and the Artsen
dc.subjectContouren
dc.subjectCurvature effecten
dc.subjectPerceptionen
dc.subjectPreferenceen
dc.subjectSensitivityen
dc.subjectDASen
dc.titleExplaining the curvature effect : perceptual and hedonic evaluations of visual contouren
dc.typeJournal articleen
dc.contributor.sponsorCarnegie Trusten
dc.contributor.sponsorThe Leverhulme Trusten
dc.contributor.institutionUniversity of St Andrews. School of Psychology and Neuroscienceen
dc.contributor.institutionUniversity of St Andrews. School of Divinityen
dc.identifier.doihttps://doi.org/10.31234/osf.io/pdhkf
dc.description.statusPeer revieweden
dc.identifier.grantnumberRIG009298en
dc.identifier.grantnumberRPG-2019-096en


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