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Sovetskie komedii "nashego vremeni" : Remeiki v rossiiskom kinematografe XXI veka
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dc.contributor.author | Donovan, Victoria Sophie | |
dc.date.accessioned | 2023-05-11T12:30:06Z | |
dc.date.available | 2023-05-11T12:30:06Z | |
dc.date.issued | 2018-09-07 | |
dc.identifier.citation | Donovan , V S 2018 , ' Sovetskie komedii "nashego vremeni" : Remeiki v rossiiskom kinematografe XXI veka ' , Novoe literaturnoe obozrenie , vol. 152 . < https://www.nlobooks.ru/magazines/novoe_literaturnoe_obozrenie/152/article/20025/ > | en |
dc.identifier.other | PURE: 249557704 | |
dc.identifier.other | PURE UUID: 9686b0fa-7669-40d1-9e24-54903130c4dc | |
dc.identifier.other | ORCID: /0000-0001-5987-0965/work/135019327 | |
dc.identifier.uri | https://hdl.handle.net/10023/27570 | |
dc.description.abstract | This article examines a number of remakes of classic Soviet comedies of the 1970s produced in the 2000–2010 period, and the audience reactions to these films. Brezhnev-era comedies, such as The Irony of Fate, or Enjoy Your Bath!, Office Romance, and Gentlemen of Fortune are revealed not only as constituent parts of a collective past, but as cultural objects that continue to function as a source of cultural identity in the post-Soviet period, despite the political, social and cultural changes that have taken place since 1991. The contemporary remakes of these films, which might be de-fined as hybrid forms – simultaneously “domestic” (i.e. produced within the same culture as the originals) and “cross-cultural” (adapted from a foreign culture) – have provoked extreme reactions in spectators who are not prepared for such a radical transformation of their collective memory. | |
dc.language.iso | rus | |
dc.relation.ispartof | Novoe literaturnoe obozrenie | en |
dc.rights | Copyright © 2018 New Literary Observer. This work has been made available online in accordance with the publisher’s policies. This is the final published version of the work, which was originally published at https://www.nlobooks.ru/magazines/novoe_literaturnoe_obozrenie/152/article/20025/. | en |
dc.subject | Remake | en |
dc.subject | Collective memory | en |
dc.subject | Collective experience | en |
dc.subject | Brezhnev era | en |
dc.subject | The Irony of Fate | en |
dc.subject | Office Romance | en |
dc.subject | Gentlemen of Fortune | en |
dc.subject | DK Russia. Soviet Union. Former Soviet Republics | en |
dc.subject | PN1993 Motion Pictures | en |
dc.subject | I | en |
dc.subject.lcc | DK | en |
dc.subject.lcc | PN1993 | en |
dc.title | Sovetskie komedii "nashego vremeni" : Remeiki v rossiiskom kinematografe XXI veka | en |
dc.title.alternative | Soviet comedies of “our time”remakes in twenty-first century Russian cinema | en |
dc.type | Journal article | en |
dc.description.version | Publisher PDF | en |
dc.contributor.institution | University of St Andrews. Russian | en |
dc.contributor.institution | University of St Andrews. Centre for Contemporary Art | en |
dc.description.status | Peer reviewed | en |
dc.identifier.url | https://www.nlobooks.ru/magazines/novoe_literaturnoe_obozrenie/ | en |
dc.identifier.url | https://www.nlobooks.ru/magazines/novoe_literaturnoe_obozrenie/152/article/20025/ | en |
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