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dc.contributor.authorMackay, Peter
dc.date.accessioned2022-12-31T00:42:02Z
dc.date.available2022-12-31T00:42:02Z
dc.date.issued2020-12-31
dc.identifier265504110
dc.identifiere889b282-8807-4666-89fc-03c1843c3db6
dc.identifier85104939901
dc.identifier000642298700007
dc.identifier.citationMackay , P 2020 , ' “If you don’t get caught” : islands, isolation and entrapment in contemporary Scottish women’s poetry ' , Contemporary Women's Writing , vol. Advance articles , vpaa022 . https://doi.org/10.1093/cww/vpaa022en
dc.identifier.issn1754-1476
dc.identifier.otherORCID: /0000-0002-2806-364X/work/86538150
dc.identifier.urihttps://hdl.handle.net/10023/26660
dc.description.abstractThis essay explores the trope of the island in recent Scottish poetry and in particular the tendency to treat poems as islands and vice versa. With a particular focus on the work of Meg Bateman, Jen Hadfield, Kathleen Jamie, Jackie Kay, and Liz Lochhead, the essay discusses ideas of entrapment, freedom, and isolation, to suggest that alongside the Utopian imaginings of islands, there is also the possibility of them becoming, like St Kilda for Lady Grange, constrictive prison cells.
dc.format.extent363753
dc.language.isoeng
dc.relation.ispartofContemporary Women's Writingen
dc.subjectP Language and Literatureen
dc.subjectT-NDASen
dc.subject.lccPen
dc.title“If you don’t get caught” : islands, isolation and entrapment in contemporary Scottish women’s poetryen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. School of Englishen
dc.identifier.doi10.1093/cww/vpaa022
dc.description.statusPeer revieweden
dc.date.embargoedUntil2022-12-31


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