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dc.contributor.authorGramps, Adrian
dc.date.accessioned2022-11-17T12:30:02Z
dc.date.available2022-11-17T12:30:02Z
dc.date.issued2022-07-15
dc.identifier280978977
dc.identifier9d7b911e-2337-47c0-b64a-d0fcfb6e9a5f
dc.identifier85136464567
dc.identifier.citationGramps , A 2022 , ' Embraces in Aeneid 8 ' , Mnemosyne , vol. Advance Articles . https://doi.org/10.1163/1568525x-bja10123en
dc.identifier.issn0026-7074
dc.identifier.otherJisc: 544369
dc.identifier.otherORCID: /0000-0002-1277-3647/work/117997061
dc.identifier.urihttps://hdl.handle.net/10023/26423
dc.description.abstractVenus and Vulcan, Venus and Aeneas, Pallas and Aeneas, Aeneas and Evander, Evander and Pallas: all of these pairs are seen embracing one another in Aeneid 8. Alongside these emotive scenes of embrace, the book is peppered with embrace-related vocabulary, imagery, and metaphor, often in surprising contexts. This article weaves together these embraces in Aeneid 8 in relation to the thematics of the book as a whole. It is proposed that, when read together, the embraces in Aeneid 8 tell a story about the possibilities of knowledge in relation to the senses. Vision is the supreme sense-modality of truth in epic, as embodied in the shield of Aeneas; and yet, in book 8, embrace emerges as a way of knowing that runs counter to optical discourses of knowledge. This leads to an exploratory reconsideration of hermeneutic principles in light of Aeneas’ much-puzzled-over response to the shield.
dc.format.extent22
dc.format.extent352009
dc.language.isoeng
dc.relation.ispartofMnemosyneen
dc.subjectVergilen
dc.subjectAeneiden
dc.subjectTouchen
dc.subjectEcphrasisen
dc.subjectEpistemologyen
dc.subjectPA Classical philologyen
dc.subjectT-NDASen
dc.subjectACen
dc.subject.lccPAen
dc.titleEmbraces in Aeneid 8en
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. School of Classicsen
dc.identifier.doi10.1163/1568525x-bja10123
dc.description.statusPeer revieweden


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