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dc.contributor.authorRhodes, Neil
dc.date.accessioned2022-11-08T16:30:19Z
dc.date.available2022-11-08T16:30:19Z
dc.date.issued2023-06-01
dc.identifier.citationRhodes , N 2023 , ' Falstaff on tour : county, town and country in the late Elizabethan theatre ' , Renaissance Studies , vol. 37 , no. 3 , pp. 384-398 . https://doi.org/10.1111/rest.12838en
dc.identifier.issn0269-1213
dc.identifier.otherPURE: 281791825
dc.identifier.otherPURE UUID: b64eef1e-d5ca-4340-921c-940197a3c149
dc.identifier.otherScopus: 85141456986
dc.identifier.otherWOS: 000879080800001
dc.identifier.urihttps://hdl.handle.net/10023/26329
dc.description.abstractWhy does Falstaff travel to York via Gloucestershire in Henry the Fourth, part two? And why does Shakespeare interrupt his second tetralogy of history plays to take his most famous comic character to Windsor in the Merry Wives? This article uses Falstaff's tour of England in these two plays to explore an idea of the country founded upon local identities rather than on the overarching appeal of nationhood. Drawing upon chorography and social history, it focusses on the association of people and place and offers a view of England from the ground up rather than through the more imposing structures of political narrative and symbolic form.
dc.format.extent15
dc.language.isoeng
dc.relation.ispartofRenaissance Studiesen
dc.rightsCopyright © 2022 The Author. Renaissance Studies published by Society for Renaissance Studies and John Wiley & Sons Ltd. This is an open access article under the terms of the Creative Commons Attribution License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.en
dc.subjectEnglanden
dc.subjectGloucestershireen
dc.subjectWindsoren
dc.subjectDA Great Britainen
dc.subjectPR English literatureen
dc.subjectPN2000 Dramatic representation. The Theateren
dc.subject3rd-DASen
dc.subjectMCCen
dc.subject.lccDAen
dc.subject.lccPRen
dc.subject.lccPN2000en
dc.titleFalstaff on tour : county, town and country in the late Elizabethan theatreen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. Centre for the Public Understanding of Greek and Roman Dramaen
dc.contributor.institutionUniversity of St Andrews. School of Englishen
dc.identifier.doihttps://doi.org/10.1111/rest.12838
dc.description.statusPeer revieweden


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