Art after self evidence : Fuseli, Blake, and Banks

O'Rourke, Stephanie

Show simple item record

Files in this item

Name:: O_Rourke_2022_ERR_ArtAfterSelf_CC.pdf
Size:: 3.509Mb
Format:: PDF

View/Open

Item metadata

dc.contributor.author	O'Rourke, Stephanie
dc.date.accessioned	2022-07-27T14:30:01Z
dc.date.available	2022-07-27T14:30:01Z
dc.date.issued	2022-07-25
dc.identifier.citation	O'Rourke , S 2022 , ' Art after self evidence : Fuseli, Blake, and Banks ' , European Romantic Review , vol. 33 , no. 4 , pp. 497-513 . https://doi.org/10.1080/10509585.2022.2090699	en
dc.identifier.issn	1050-9585
dc.identifier.other	PURE: 280081781
dc.identifier.other	PURE UUID: 3a680f5c-c34d-4a9c-b67c-ab3e69738aea
dc.identifier.other	ORCID: /0000-0001-6823-4282/work/116598360
dc.identifier.other	Scopus: 85134838759
dc.identifier.other	WOS: 000829790600004
dc.identifier.uri	http://hdl.handle.net/10023/25728
dc.description.abstract	This article examines artworks by Henry Fuseli, William Blake, and Thomas Banks in relation to changing notions of “self evidence” at the turn of the nineteenth century. It considers how models of artistic neoclassicism and scientific experimental procedures shared an investment in the evidentiary authority of an idealized male body. Exploring the gendered and racial hierarchies operative in such an ideal, this article also charts its unraveling.
dc.format.extent	17
dc.language.iso	eng
dc.relation.ispartof	European Romantic Review	en
dc.rights	Copyright © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.	en
dc.subject	N Fine Arts	en
dc.subject	T-NDAS	en
dc.subject	MCC	en
dc.subject.lcc	N	en
dc.title	Art after self evidence : Fuseli, Blake, and Banks	en
dc.type	Journal article	en
dc.contributor.sponsor	The Leverhulme Trust	en
dc.description.version	Publisher PDF	en
dc.contributor.institution	University of St Andrews. Centre for Energy Ethics	en
dc.contributor.institution	University of St Andrews. Centre for Contemporary Art	en
dc.contributor.institution	University of St Andrews. School of Art History	en
dc.identifier.doi	https://doi.org/10.1080/10509585.2022.2090699
dc.description.status	Peer reviewed	en
dc.date.embargoedUntil	2022-07-25
dc.identifier.grantnumber	RF-2019-195	en

This item appears in the following Collection(s)

University of St Andrews Research

Show simple item record