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dc.contributor.authorRhodes, Neil
dc.date.accessioned2022-07-21T11:30:06Z
dc.date.available2022-07-21T11:30:06Z
dc.date.issued2022-07-15
dc.identifier.citationRhodes , N 2022 , ' Close reading : Romeo and Juliet 3.5.9-10 ' , Shakespeare , vol. Latest Articles . https://doi.org/10.1080/17450918.2022.2090599en
dc.identifier.issn1745-0918
dc.identifier.otherPURE: 280216105
dc.identifier.otherPURE UUID: 40b3fe6f-68eb-4fb9-95f7-b9f7ec5bd714
dc.identifier.otherScopus: 85134191789
dc.identifier.otherWOS: 000826024300001
dc.identifier.urihttps://hdl.handle.net/10023/25680
dc.description.abstractThis short close reading of Romeo and Juliet, 3.5.9–10, pays attention to the stress patterns of those lines and how they play into their apprehensions of aurality and semantic sense, and indeed serve as a microcosmic enactment of the play's broader business and larger forces.
dc.format.extent3
dc.language.isoeng
dc.relation.ispartofShakespeareen
dc.rightsCopyright © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons. org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.en
dc.subjectAccenten
dc.subjectScansionen
dc.subjectMetreen
dc.subjectPE Englishen
dc.subjectT-NDASen
dc.subject.lccPEen
dc.titleClose reading : Romeo and Juliet 3.5.9-10en
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. Centre for the Public Understanding of Greek and Roman Dramaen
dc.contributor.institutionUniversity of St Andrews. School of Englishen
dc.identifier.doihttps://doi.org/10.1080/17450918.2022.2090599
dc.description.statusPeer revieweden


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