Gorboduc on fire : the pyropoetics of tyranny in early modern England
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This article rereads Norton and Sackville’s Inns of Court tragedy Gorboduc (1562) in the light of its neglected preoccupation with fire. It posits the 1561 lightning strike on St Paul’s as a critical context for the play’s emphasis on fire as a motor of providential justice, through the repeated evocation of the myth of Phaethon, and locates its use of fire in performance at the intersection between political intervention and carnival festivity. Noting the play’s coevolution with the fire pamphlet genre, the article suggests that these ephemeral works’ commentary on the relationship between fire and tyranny, in line with sixteenth-century resistance theory and de casibus tragedy, illuminates how Gorboduc’s interests manifest in popular discourse, and allows an interpretation of the play’s imagining of rebellion which foregrounds the irony of its rhetoric of stability and obedience. In dialogue with recent work on the Pyrocene and European pyrophobia, and its implications in relation to Giorgio Agamben’s understanding of civil conflict and the state of exception, the article broadens the existing picture of Gorboduc’s resonance, to read it not just as pivotal in the development of English drama and political theology, but as contiguous with wider patterns of thought in premodern disaster response and narratives of collective action.
Archer , H 2022 , ' Gorboduc on fire : the pyropoetics of tyranny in early modern England ' , Exemplaria , vol. 34 , no. 2 , pp. 168-195 . https://doi.org/10.1080/10412573.2022.2070369
Copyright © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way.
DescriptionThis work was supported by the Huntington Library.
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