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Filmographies as archives : on Richard Dyer's list-making in Gays and Film
Item metadata
dc.contributor.author | Davis, Glyn | |
dc.date.accessioned | 2022-04-07T14:30:44Z | |
dc.date.available | 2022-04-07T14:30:44Z | |
dc.date.issued | 2022-03-07 | |
dc.identifier | 278573089 | |
dc.identifier | 2332052f-73d4-4177-be0b-ff495fba5700 | |
dc.identifier.citation | Davis , G 2022 , ' Filmographies as archives : on Richard Dyer's list-making in Gays and Film ' , Frames Cinema Journal , vol. 19 , pp. 308-314 . https://doi.org/10.15664/fcj.v19i0.2396 | en |
dc.identifier.issn | 2053-8812 | |
dc.identifier.other | ORCID: /0000-0003-1184-5175/work/110912299 | |
dc.identifier.uri | https://hdl.handle.net/10023/25153 | |
dc.description.abstract | I was asked to contribute a retrospective book review of a canonical film studies text on archives, but instead offered a look back at a crucial archive for queer cinema historians: the filmography at the end of the two editions of Richard Dyer's edited volume 'Gays and Film' (1977/1984). I argue in this short essay that the filmography serves as a vital archival trace of political debates occuring at the time of its assembly. | |
dc.format.extent | 7 | |
dc.format.extent | 244784 | |
dc.language.iso | eng | |
dc.relation.ispartof | Frames Cinema Journal | en |
dc.subject | Film studies | en |
dc.subject | Lesbian and gay cinema | en |
dc.subject | Queer film history | en |
dc.subject | Film archives | en |
dc.subject | Richard Dyer | en |
dc.subject | Gays and Film | en |
dc.subject | PN1993 Motion Pictures | en |
dc.subject | T-NDAS | en |
dc.subject.lcc | PN1993 | en |
dc.title | Filmographies as archives : on Richard Dyer's list-making in Gays and Film | en |
dc.type | Journal item | en |
dc.contributor.institution | University of St Andrews. Film Studies | en |
dc.contributor.institution | University of St Andrews. Centre for Contemporary Art | en |
dc.identifier.doi | https://doi.org/10.15664/fcj.v19i0.2396 | |
dc.description.status | Peer reviewed | en |
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