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dc.contributor.authorLovatt, Philippa
dc.date.accessioned2022-01-12T11:30:29Z
dc.date.available2022-01-12T11:30:29Z
dc.date.issued2022-01-07
dc.identifier.citationLovatt , P 2022 , ' Foraging in the ruins : Nguyễn Trinh Thi’s mycological moving-image practice ' , Screen , vol. 62 , no. 4 , pp. 559-567 . https://doi.org/10.1093/screen/hjab055en
dc.identifier.issn0036-9543
dc.identifier.otherPURE: 276934193
dc.identifier.otherPURE UUID: e224c866-1478-446b-883d-9c5fa1a7697e
dc.identifier.otherORCID: /0000-0001-9369-8169/work/106397961
dc.identifier.urihttp://hdl.handle.net/10023/24649
dc.descriptionFunding information: I am grateful for the support of the AHRC through the network grant, ‘Southeast Asian Cinemas Research Network: Promoting dialogue across critical and creative practice’, from which this research emerged, and to Nguyễn for generously sharing her work and ideas with me on several occasions, including at Centre for Contemporary Art, Glasgow, 16 March 2018 (see https://www.seacrn.org).en
dc.format.extent9
dc.language.isoeng
dc.relation.ispartofScreenen
dc.rightsCopyright © The Author(s) 2022. Published by Oxford University Press on behalf of Screen. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.en
dc.subjectPN1993 Motion Picturesen
dc.subjectT-NDASen
dc.subjectMCCen
dc.subject.lccPN1993en
dc.titleForaging in the ruins : Nguyễn Trinh Thi’s mycological moving-image practiceen
dc.typeJournal articleen
dc.contributor.sponsorArts and Humanities Research Councilen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. Centre for Energy Ethicsen
dc.contributor.institutionUniversity of St Andrews. Centre for Contemporary Arten
dc.contributor.institutionUniversity of St Andrews. Film Studiesen
dc.contributor.institutionUniversity of St Andrews. Institute of Global Cinema and Creative Culturesen
dc.identifier.doihttps://doi.org/10.1093/screen/hjab055
dc.description.statusPeer revieweden
dc.identifier.grantnumberAH/N00910X/2en


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