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dc.contributor.authorPuyou, Francois-Regis
dc.contributor.authorQuattrone, Paolo
dc.contributor.editorBeyes, Timon
dc.contributor.editorHolt, Robin
dc.contributor.editorPias, Claus
dc.date.accessioned2021-12-24T00:33:23Z
dc.date.available2021-12-24T00:33:23Z
dc.date.issued2019-12-24
dc.identifier265544119
dc.identifier37ed284c-5875-4f72-aa61-1d3a4ebec784
dc.identifier.citationPuyou , F-R & Quattrone , P 2019 , Account books . in T Beyes , R Holt & C Pias (eds) , The Oxford Handbook of Media, Technology, and Organization Studies . Oxford University Press , pp. 4-14 .en
dc.identifier.isbn9780198809913
dc.identifier.otherORCID: /0000-0002-8717-6070/work/67167754
dc.identifier.urihttps://hdl.handle.net/10023/24582
dc.description.abstractUsing examples from Rome, the Renaissance, and modernity, this chapter takes an historical view on how accounts allow organizations to coalesce. This phenomenon is described as a process of composition where the visual and material spaces of accounts prompt their users to perform ordered classifications of arguments that make organizations tangible. Organizing is thus conceived as the regular encounter between people and artefacts. Such encounters support the coexistence of different interconnected organizings, resulting from multiple engagements with the signs and words in account books, as illustrated by the outcomes of budgetary discussions between engineers and traders in a hydroelectric company.
dc.format.extent11
dc.format.extent623149
dc.language.isoeng
dc.publisherOxford University Press
dc.relation.ispartofThe Oxford Handbook of Media, Technology, and Organization Studiesen
dc.titleAccount booksen
dc.typeBook itemen
dc.contributor.institutionUniversity of St Andrews. School of Managementen
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-12-24
dc.identifier.urlhttps://global.oup.com/academic/product/the-oxford-handbook-of-media-technology-and-organization-studies-9780198809913en


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