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dc.contributor.authorSmith, Tom
dc.date.accessioned2021-12-20T10:30:04Z
dc.date.available2021-12-20T10:30:04Z
dc.date.issued2021-12-14
dc.identifier277084755
dc.identifier7ae4e95d-f356-4965-82d1-287e1daec481
dc.identifier.citationSmith , T 2021 , ' Review: The New Age of Electronic Dance Music and Club Culture ' , Dancecult , vol. 13 , no. 1 , pp. 152-155 . < https://dj.dancecult.net/index.php/dancecult/article/view/1215 >en
dc.identifier.issn1947-5403
dc.identifier.otherORCID: /0000-0001-5084-8729/work/105007253
dc.identifier.urihttps://hdl.handle.net/10023/24542
dc.description.abstractIn the time since The New Age of Electronic Dance Music and Club Culture was written, everything has changed for Berlin's nightlife and the world’s clubbing landscape. Yet the ideas articulated in this edited volume still stand up to, and illuminate, the changes to clubbing brought by the pandemic and point to important considerations as clubs begin to contemplate emerging from shutdowns.
dc.format.extent179449
dc.language.isoeng
dc.relation.ispartofDanceculten
dc.subjectHT Communities. Classes. Racesen
dc.subjectPB Modern European Languagesen
dc.subject.lccHTen
dc.subject.lccPBen
dc.titleReview: The New Age of Electronic Dance Music and Club Cultureen
dc.typeJournal itemen
dc.contributor.institutionUniversity of St Andrews. Germanen
dc.description.statusPeer revieweden
dc.identifier.urlhttps://dj.dancecult.net/index.php/dancecult/article/view/1215en


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