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dc.contributor.authorDuncan, Derek
dc.contributor.authorWebb, Heather
dc.date.accessioned2021-10-14T23:41:23Z
dc.date.available2021-10-14T23:41:23Z
dc.date.issued2020-04-15
dc.identifier265996119
dc.identifier335efbbe-5200-4d90-a5c9-420d63db4fcc
dc.identifier85083523787
dc.identifier000527320300001
dc.identifier.citationDuncan , D & Webb , H 2020 , ' Corporealities in Italian studies ' , Italian Studies , vol. Latest Articles . https://doi.org/10.1080/00751634.2020.1744866en
dc.identifier.issn0075-1634
dc.identifier.otherORCID: /0000-0002-1188-4935/work/72360568
dc.identifier.urihttps://hdl.handle.net/10023/24145
dc.description.abstractThis article illustrates the different shape that discourses of corporeality have taken within the discipline from a chronological perspective. The first section explores how critical frameworks relating to embodiment, performativity and affect expand premodern Italian studies beyond the limited patriarchal canon and better understand ‘performances’ of the Passion by late medieval and early modern women religious as a form of co-suffering that foregrounds embodiment as discourse and substitute for silenced female voices. This is followed by a detailed reflection on how modern understandings of biopolitics and its technologies, mass demo-graphic mobility, and contemporary discourses on race and gender effect a shift away from binary modes of categorisation and critical understandings of the body to produce alternative forms of knowledge and more complex understandings of the symbolic figuration of the body as an object of national concern.
dc.format.extent18
dc.format.extent534410
dc.language.isoeng
dc.relation.ispartofItalian Studiesen
dc.subjectPassionen
dc.subjectEmbodimenten
dc.subjectBiopoliticsen
dc.subjectRaceen
dc.subjectAffecten
dc.subjectGenderen
dc.subjectD111 Medieval Historyen
dc.subjectPC Romance languagesen
dc.subjectT-NDASen
dc.subject.lccD111en
dc.subject.lccPCen
dc.titleCorporealities in Italian studiesen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. Centre for Contemporary Arten
dc.contributor.institutionUniversity of St Andrews. Italianen
dc.identifier.doi10.1080/00751634.2020.1744866
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-10-15


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