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dc.contributor.authorHopps, Gavin
dc.date.accessioned2021-09-18T23:36:05Z
dc.date.available2021-09-18T23:36:05Z
dc.date.issued2020-03-19
dc.identifier.citationHopps , G 2020 , ' Negative capability and religious experience ' , International Journal for the Study of the Christian Church , vol. 20 , no. 1 , pp. 74-94 . https://doi.org/10.1080/1474225X.2020.1726262en
dc.identifier.issn1474-225X
dc.identifier.otherPURE: 266507492
dc.identifier.otherPURE UUID: c6cb2f69-c4f5-4030-80d7-819ea235b1a7
dc.identifier.otherORCID: /0000-0002-6487-9195/work/71560087
dc.identifier.otherScopus: 85082447341
dc.identifier.otherWOS: 000521332200008
dc.identifier.urihttp://hdl.handle.net/10023/23984
dc.description.abstractThis article responds to each of the four essays on The Extravagance of Music in turn. It addresses the particular issues they raise, though a prominent contention running through the piece concerns the need for what André Gide calls ‘une disposition à l’accueil’ – that is, a posture of receptivity or hospitable disposition in relation to the revelatory potential of music. In explaining the importance of this openness to possibilities – which I argue should be ‘ecumenically’ extended to all types of music – the chapter invokes Keats’s notion of ‘negative capability’ and affirms, against approaches that seek to predetermine the theological meanings of music, the value in religious contexts of this willingness to dwell hospitably with indeterminacy.
dc.language.isoeng
dc.relation.ispartofInternational Journal for the Study of the Christian Churchen
dc.rightsCopyright © 2020 Informa UK Limited, trading as Taylor & Francis Group. This work has been made available online in accordance with publisher policies or with permission. Permission for further reuse of this content should be sought from the publisher or the rights holder. This is the author created accepted manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.1080/1474225X.2020.1726262en
dc.subjectPopular musicen
dc.subjectTranscendenceen
dc.subjectGeneral revelationen
dc.subjectHospitalityen
dc.subjectThe autonomy of affecten
dc.subjectAffordanceen
dc.subjectBL Religionen
dc.subjectM Musicen
dc.subjectT-NDASen
dc.subject.lccBLen
dc.subject.lccM1en
dc.titleNegative capability and religious experienceen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.School of Divinityen
dc.identifier.doihttps://doi.org/10.1080/1474225X.2020.1726262
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-09-19


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