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dc.contributor.authorOsborne, Dora
dc.date.accessioned2021-09-11T23:38:06Z
dc.date.available2021-09-11T23:38:06Z
dc.date.issued2019-10
dc.identifier.citationOsborne , D 2019 , ' ‘Irgendwie wird es gehen’ : trauma, survival, and creativity in Saša Stanišić’s Vor dem fest ' , German Life and Letters , vol. 72 , no. 4 , pp. 469-483 . https://doi.org/10.1111/glal.12244en
dc.identifier.issn0016-8777
dc.identifier.otherPURE: 261239956
dc.identifier.otherPURE UUID: 2ca0f3e2-ec95-4f19-8ce4-2f8ae414a8f7
dc.identifier.otherRIS: urn:EC93DF46DFAC146F35BC991151605ECF
dc.identifier.otherORCID: /0000-0002-5773-6284/work/61978987
dc.identifier.otherScopus: 85073011829
dc.identifier.otherWOS: 000485936600004
dc.identifier.urihttp://hdl.handle.net/10023/23953
dc.description.abstractThis article argues that Vor dem Fest, Saša Stanišić’s second novel, represents a continuation of the author's attempt, begun in his 2006 debut, Wie der Soldat das Grammofon repariert, to write about ‘sad things, positively’. Set in Germany, however, it also engages critically with the particular ethical and cultural‐political challenges that writing about traumatic pasts has posed in this context. Through his protagonists, many of whom are engaged in different forms of creative practice, Stanišić shows how cultural memory is produced in response to trauma but threatens to overwrite violence with fabricated narratives. Nevertheless, creativity, practised in response to, and as a means of, survival, retains the potential – for both the author and his characters – to bear witness to the past while producing something that ensures the continuity of the community. Drawing on theories of melancholy and the archive, and of trauma and survival, this article shows how Stanišić develops a mode of narrative that is both critical and productive in its response to legacies of violence and loss.
dc.format.extent15
dc.language.isoeng
dc.relation.ispartofGerman Life and Lettersen
dc.rights© 2019 The Author German Life and Letters © 2019 John Wiley & Sons Ltd. This work has been made available online in accordance with publisher policies or with permission. Permission for further reuse of this content should be sought from the publisher or the rights holder. This is the author created accepted manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.1111/glal.12244en
dc.subjectP Language and Literatureen
dc.subjectPT Germanic literatureen
dc.subjectT-NDASen
dc.subject.lccPen
dc.subject.lccPTen
dc.title‘Irgendwie wird es gehen’ : trauma, survival, and creativity in Saša Stanišić’s Vor dem festen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.Germanen
dc.identifier.doihttps://doi.org/10.1111/glal.12244
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-09-12


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