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dc.contributor.authorEvans, David Elwyn
dc.date.accessioned2021-08-12T14:30:09Z
dc.date.available2021-08-12T14:30:09Z
dc.date.issued2021-07
dc.identifier.citationEvans , D E 2021 , ' Myths of authenticity and cultural performance : Breton identity in the poetry anthology 1839-2000 ' , Nottingham French Studies , vol. 60 , no. 2 , pp. 159-174 . https://doi.org/10.3366/nfs.2021.0314en
dc.identifier.issn0029-4586
dc.identifier.otherPURE: 272710912
dc.identifier.otherPURE UUID: ed9d25ad-6074-4082-8749-905add4636e9
dc.identifier.otherORCID: /0000-0001-7258-3485/work/98487561
dc.identifier.otherWOS: 000661699600002
dc.identifier.otherScopus: 85108702520
dc.identifier.urihttp://hdl.handle.net/10023/23768
dc.description.abstractThis article examines the various constructions of Breton identity in twelve anthologies of poetry revealing three broad conceptual phases: celebration of an essential ethno-cultural otherness which nonetheless belongs within the French Republic (1830–1918), calls for independence which harness pan-Celtic or postcolonial discourses (1919–71), and a playful, performative notion of identity based on cultural affinity, inclusive of incomers (1976–2000). I focus on strategies of editorial framing which, in each phase, insist on the apartness, and the authenticity, of Breton expression. These anthological, quasi-anthropological projects both anticipate and encourage the reader’s touristic gaze, betraying anxieties about Brittany’s relationship to the nation within which it must negotiate a place. These negotiations are played out in texts which, in their use of the French language and French poetic forms, operate a constant dialogue with the national tradition, a mode of self-questioning to which the poem is particularly well suited.
dc.language.isoeng
dc.relation.ispartofNottingham French Studiesen
dc.rightsCopyright © 2021 University of Nottingham. This work has been made available online in accordance with publisher policies or with permission. Permission for further reuse of this content should be sought from the publisher or the rights holder. This is the author created accepted manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.3366/nfs.2021.0314.en
dc.subjectPoetryen
dc.subjectAnthologiesen
dc.subjectBrittanyen
dc.subjectIdentityen
dc.subjectAuthenticityen
dc.subjectTouristic gazeen
dc.subjectClichéen
dc.subjectPerformanceen
dc.subjectP Philology. Linguisticsen
dc.subjectPB Modern European Languagesen
dc.subjectIen
dc.subject.lccP1en
dc.subject.lccPBen
dc.titleMyths of authenticity and cultural performance : Breton identity in the poetry anthology 1839-2000en
dc.typeJournal articleen
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews.Frenchen
dc.contributor.institutionUniversity of St Andrews.Centre for Contemporary Arten
dc.contributor.institutionUniversity of St Andrews.Centre for Poetic Innovationen
dc.identifier.doihttps://doi.org/10.3366/nfs.2021.0314
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-08-12


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