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dc.contributor.authorRuta, Nicole
dc.contributor.authorVañó, Javier
dc.contributor.authorPepperell, Robert
dc.contributor.authorCorradi, Guido B.
dc.contributor.authorChuquichambi, Erick G.
dc.contributor.authorRey, Carlos
dc.contributor.authorMunar, Eric
dc.identifier.citationRuta , N , Vañó , J , Pepperell , R , Corradi , G B , Chuquichambi , E G , Rey , C & Munar , E 2021 , ' Preference for paintings is also affected by curvature ' , Psychology of Aesthetics, Creativity, and the Arts , vol. Online First .
dc.identifier.otherPURE: 273009908
dc.identifier.otherPURE UUID: 2c57241c-d989-4f68-a5e5-fd26606a9543
dc.identifier.otherORCID: /0000-0001-5300-2913/work/94291765
dc.identifier.otherScopus: 85107994044
dc.descriptionThe research was funded by the project PSI2016-77327-P of the Spanish government (AEI/ERDF, EU). The Erick G. Chuquichamb acknowledges the pre-doctoral contract FPU18/00365 granted by the Spanish government.Conception, design and performing of the experiments for Study 1: Nicole Ruta and Robert Pepperell. Conception, design and performing of the experiments for Study 2: Enric Munar, Javier Vañó, Erick G. Chuquichambi, Carlos Rey.en
dc.description.abstractPreference for curvature has been demonstrated using many types of stimuli, but it remains an open question whether curvature plays a relevant role in responses to original artworks. To investigate this, a novel set of paintings was created, consisting of three variations—curved, sharp-angled, and mixed—of the same 16 indeterminate subjects. The present research aimed to differentiate between liking and wanting decisions. We assessed liking both online (Study 1) and in the lab (Study 2, Task 2), using a continuous slider and a dichotomous forced choice, respectively. In both tasks, participants assigned higher ratings to the curved compared to the sharp-angled version of the paintings. Similarly, when participants were explicitly asked if they wanted to take the paintings home, they assigned higher wanting ratings to the curved version (Study 2, Task 3). However, when they were asked to act as a curator selecting the works they wanted for their gallery (Study 2, Task 4) and to make a physical effort to visually consume the painting (implicit wanting; Study 2, Task 1), no significant difference was found. Finally, we found that implicit wanting decisions did not predict liking for paintings, while liking predicted explicit wanting of the artworks in both the home and art contexts. This confirmed that it is possible to differentiate between liking and wanting responses to artistically relevant stimuli. We conclude that this theoretical distinction helps to explain previous conflicting results on the curvature effect, establishing a new line of research in the field of empirical aesthetics.
dc.relation.ispartofPsychology of Aesthetics, Creativity, and the Artsen
dc.rightsCopyright © 2021 American Psychological Association. This work has been made available online in accordance with publisher policies or with permission. Permission for further reuse of this content should be sought from the publisher or the rights holder. This is the author created accepted manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at
dc.subjectBF Psychologyen
dc.titlePreference for paintings is also affected by curvatureen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews.School of Divinityen
dc.description.statusPeer revieweden

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