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dc.contributor.authorvan Kessel, Elsje
dc.date.accessioned2021-04-15T23:49:18Z
dc.date.available2021-04-15T23:49:18Z
dc.date.issued2020-07
dc.identifier.citationvan Kessel , E 2020 , ' The inventories of the Madre de Deus : tracing Asian material culture in early modern England ' , Journal of the History of Collections , vol. 32 , no. 2 , pp. 207-223 . https://doi.org/10.1093/jhc/fhz015en
dc.identifier.issn0954-6650
dc.identifier.otherPURE: 258518794
dc.identifier.otherPURE UUID: b350c8cf-d4f4-414f-9e3f-8951ac704343
dc.identifier.otherORCID: /0000-0002-0267-5154/work/64697895
dc.identifier.otherScopus: 85094979393
dc.identifier.otherWOS: 000582311100001
dc.identifier.urihttp://hdl.handle.net/10023/23036
dc.descriptionThis article was made possible by the generous financial support of the Leverhulme Trust, and by the hospitality of cham – Centre for the Humanities at the Universidade Nova de Lisboa.en
dc.description.abstractThis article examines the impact made by the taking of the ship Madre de Deus in 1592 on the circulation of Asian material culture in England. As a Portuguese cargo ship on its way from Goa, the Madre de Deus was filled with precious and exotic objects – an immense treasure for the English privateers who seized it. An examination of the extensive archival record generated by the ship’s capture allows for a reconstruction of the cargo. Probing inventories and other documents for their material and formal qualities as much as for their contents, the article argues that written documents became an instrument with which the English authorities tried to control the uncontrollable movements of the booty. The pathways subsequently followed by some of the items recovered are traced, and the question of how they affected England’s artistic culture is addressed.
dc.format.extent17
dc.language.isoeng
dc.relation.ispartofJournal of the History of Collectionsen
dc.rights© 2019, the Author(s). Published by Oxford University Press. All rights reserved. This work has been made available online in accordance with the publisher's policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.1093/jhc/fhz015en
dc.subjectAC Collections. Series. Collected worksen
dc.subjectCD921 Archivesen
dc.subjectDA Great Britainen
dc.subjectDS Asiaen
dc.subjectN Fine Artsen
dc.subjectT-NDASen
dc.subjectBDCen
dc.subjectR2Cen
dc.subject.lccACen
dc.subject.lccCD921en
dc.subject.lccDAen
dc.subject.lccDSen
dc.subject.lccNen
dc.titleThe inventories of the Madre de Deus : tracing Asian material culture in early modern Englanden
dc.typeJournal articleen
dc.contributor.sponsorThe Leverhulme Trusten
dc.description.versionPostprinten
dc.contributor.institutionUniversity of St Andrews. School of Art Historyen
dc.identifier.doihttps://doi.org/10.1093/jhc/fhz015
dc.description.statusPeer revieweden
dc.date.embargoedUntil2021-04-16
dc.identifier.grantnumberRF-2017-348en


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