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The inventories of the Madre de Deus : tracing Asian material culture in early modern England
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dc.contributor.author | van Kessel, Elsje | |
dc.date.accessioned | 2021-04-15T23:49:18Z | |
dc.date.available | 2021-04-15T23:49:18Z | |
dc.date.issued | 2020-07 | |
dc.identifier.citation | van Kessel , E 2020 , ' The inventories of the Madre de Deus : tracing Asian material culture in early modern England ' , Journal of the History of Collections , vol. 32 , no. 2 , pp. 207-223 . https://doi.org/10.1093/jhc/fhz015 | en |
dc.identifier.issn | 0954-6650 | |
dc.identifier.other | PURE: 258518794 | |
dc.identifier.other | PURE UUID: b350c8cf-d4f4-414f-9e3f-8951ac704343 | |
dc.identifier.other | ORCID: /0000-0002-0267-5154/work/64697895 | |
dc.identifier.other | Scopus: 85094979393 | |
dc.identifier.other | WOS: 000582311100001 | |
dc.identifier.uri | http://hdl.handle.net/10023/23036 | |
dc.description | This article was made possible by the generous financial support of the Leverhulme Trust, and by the hospitality of cham – Centre for the Humanities at the Universidade Nova de Lisboa. | en |
dc.description.abstract | This article examines the impact made by the taking of the ship Madre de Deus in 1592 on the circulation of Asian material culture in England. As a Portuguese cargo ship on its way from Goa, the Madre de Deus was filled with precious and exotic objects – an immense treasure for the English privateers who seized it. An examination of the extensive archival record generated by the ship’s capture allows for a reconstruction of the cargo. Probing inventories and other documents for their material and formal qualities as much as for their contents, the article argues that written documents became an instrument with which the English authorities tried to control the uncontrollable movements of the booty. The pathways subsequently followed by some of the items recovered are traced, and the question of how they affected England’s artistic culture is addressed. | |
dc.format.extent | 17 | |
dc.language.iso | eng | |
dc.relation.ispartof | Journal of the History of Collections | en |
dc.rights | © 2019, the Author(s). Published by Oxford University Press. All rights reserved. This work has been made available online in accordance with the publisher's policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.1093/jhc/fhz015 | en |
dc.subject | AC Collections. Series. Collected works | en |
dc.subject | CD921 Archives | en |
dc.subject | DA Great Britain | en |
dc.subject | DS Asia | en |
dc.subject | N Fine Arts | en |
dc.subject | T-NDAS | en |
dc.subject | BDC | en |
dc.subject | R2C | en |
dc.subject.lcc | AC | en |
dc.subject.lcc | CD921 | en |
dc.subject.lcc | DA | en |
dc.subject.lcc | DS | en |
dc.subject.lcc | N | en |
dc.title | The inventories of the Madre de Deus : tracing Asian material culture in early modern England | en |
dc.type | Journal article | en |
dc.contributor.sponsor | The Leverhulme Trust | en |
dc.description.version | Postprint | en |
dc.contributor.institution | University of St Andrews. School of Art History | en |
dc.identifier.doi | https://doi.org/10.1093/jhc/fhz015 | |
dc.description.status | Peer reviewed | en |
dc.date.embargoedUntil | 2021-04-16 | |
dc.identifier.grantnumber | RF-2017-348 | en |
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