Riding in cars with girls : driving desire on television
Abstract
The open road is popularly imagined as both cinematic and male, a space suited to the scope afforded by the cinema and the breadth demanded by the male psyche. However, while these connotations are ingrained within the aesthetics of driving, its kinaesthetics – the articulations between bodies, movement and space – have more in common with television and with stories of women’s desire. Drawing from Iris Marion Young’s theories of gendered embodiment, this article argues that driving, television and female desire are all marked by the same contradictions between movement and stability, and between public and private. It analyses two recent television programmes concerned with women behind the wheel – Black Mirror’s ‘San Junipero’ (Netflix, 2016) and the first two seasons of Big Little Lies (HBO, 2017–present) – to argue that driving on television affords a space through which to negotiate feminine embodiment, agency and desire.
Citation
Shacklock , Z 2020 , ' Riding in cars with girls : driving desire on television ' , Film Studies , vol. 21 , no. 1 , pp. 83-96 . https://doi.org/10.7227/FS.21.0007
Publication
Film Studies
Status
Peer reviewed
ISSN
2054-2496Type
Journal article
Rights
Copyright © 2020 Manchester University Press. This work is made available online in accordance with the publisher’s policies. This is the author created, accepted version manuscript following peer review and may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.7227/FS.21.0007
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