Staring into the abyss of time

dc.contributor.author	O'Rourke, Stephanie
dc.date.accessioned	2019-11-13T10:30:06Z
dc.date.available	2019-11-13T10:30:06Z
dc.date.issued	2019-11-12
dc.identifier	259267850
dc.identifier	d67572c6-edc4-4d07-8bbb-ff9ad229a9a5
dc.identifier	85090736532
dc.identifier.citation	O'Rourke , S 2019 , ' Staring into the abyss of time ' , Representations , vol. 148 , no. 1 , pp. 30-56 . https://doi.org/10.1525/rep.2019.148.1.30	en
dc.identifier.issn	0734-6018
dc.identifier.other	ORCID: /0000-0001-6823-4282/work/64698105
dc.identifier.uri	https://hdl.handle.net/10023/18912
dc.description.abstract	This essay examines the role of geological time in the work of the German Romantic artist Caspar David Friedrich in the early nineteenth century. It foregrounds the challenges this model of time posed for the relationship between the human and the natural—a relationship usually considered central to Friedrich’s work—and for the perceptual powers of the viewing subject.
dc.format.extent	27
dc.format.extent	1002259
dc.language.iso	eng
dc.relation.ispartof	Representations	en
dc.subject	ND Painting	en
dc.subject	T-NDAS	en
dc.subject	BDC	en
dc.subject	R2C	en
dc.subject.lcc	ND	en
dc.title	Staring into the abyss of time	en
dc.type	Journal article	en
dc.contributor.institution	University of St Andrews. School of Art History	en
dc.identifier.doi	10.1525/rep.2019.148.1.30
dc.description.status	Peer reviewed	en