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Penelope Curtis and Martina Droth (eds), British Art Studies 3 (Summer 2016) : Special Issue: British Sculpture Abroad

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dc.contributor.authorRider, Alistair John
dc.date.accessioned2019-10-14T23:36:26Z
dc.date.available2019-10-14T23:36:26Z
dc.date.issued2017-10-15
dc.identifier252004344
dc.identifierccbdffed-a2c1-452e-b9e9-2d0b17dccd6c
dc.identifier.citationRider , A J 2017 , ' Penelope Curtis and Martina Droth (eds), British Art Studies 3 (Summer 2016) : Special Issue: British Sculpture Abroad ' , Sculpture Journal , vol. 26 , no. 2 , pp. 270-273 . https://doi.org/10.3828/sj.2017.26.2.10en
dc.identifier.issn1366-2724
dc.identifier.otherORCID: /0000-0003-1687-9534/work/60427166
dc.identifier.urihttps://hdl.handle.net/10023/18665
dc.description.abstractA review of Penelope Curtis and Martina Droth's special issue in British Art Studies of the history of the reception of British Sculpture outside the UK.
dc.format.extent4
dc.format.extent214846
dc.language.isoeng
dc.relation.ispartofSculpture Journalen
dc.subjectNationalismen
dc.subjectBritishen
dc.subjectSculptureen
dc.subjectNB Sculptureen
dc.subject.lccNBen
dc.titlePenelope Curtis and Martina Droth (eds), British Art Studies 3 (Summer 2016) : Special Issue: British Sculpture Abroaden
dc.typeJournal itemen
dc.contributor.institutionUniversity of St Andrews. School of Art Historyen
dc.contributor.institutionUniversity of St Andrews. Centre for Ancient Environmental Studiesen
dc.contributor.institutionUniversity of St Andrews. St Andrews Sustainability Instituteen
dc.identifier.doihttps://doi.org/10.3828/sj.2017.26.2.10
dc.description.statusNon peer revieweden
dc.date.embargoedUntil2019-10-15


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