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Penelope Curtis and Martina Droth (eds), British Art Studies 3 (Summer 2016) : Special Issue: British Sculpture Abroad
Item metadata
dc.contributor.author | Rider, Alistair John | |
dc.date.accessioned | 2019-10-14T23:36:26Z | |
dc.date.available | 2019-10-14T23:36:26Z | |
dc.date.issued | 2017-10-15 | |
dc.identifier | 252004344 | |
dc.identifier | ccbdffed-a2c1-452e-b9e9-2d0b17dccd6c | |
dc.identifier.citation | Rider , A J 2017 , ' Penelope Curtis and Martina Droth (eds), British Art Studies 3 (Summer 2016) : Special Issue: British Sculpture Abroad ' , Sculpture Journal , vol. 26 , no. 2 , pp. 270-273 . https://doi.org/10.3828/sj.2017.26.2.10 | en |
dc.identifier.issn | 1366-2724 | |
dc.identifier.other | ORCID: /0000-0003-1687-9534/work/60427166 | |
dc.identifier.uri | https://hdl.handle.net/10023/18665 | |
dc.description.abstract | A review of Penelope Curtis and Martina Droth's special issue in British Art Studies of the history of the reception of British Sculpture outside the UK. | |
dc.format.extent | 4 | |
dc.format.extent | 214846 | |
dc.language.iso | eng | |
dc.relation.ispartof | Sculpture Journal | en |
dc.subject | Nationalism | en |
dc.subject | British | en |
dc.subject | Sculpture | en |
dc.subject | NB Sculpture | en |
dc.subject.lcc | NB | en |
dc.title | Penelope Curtis and Martina Droth (eds), British Art Studies 3 (Summer 2016) : Special Issue: British Sculpture Abroad | en |
dc.type | Journal item | en |
dc.contributor.institution | University of St Andrews. School of Art History | en |
dc.contributor.institution | University of St Andrews. Centre for Ancient Environmental Studies | en |
dc.contributor.institution | University of St Andrews. St Andrews Sustainability Institute | en |
dc.identifier.doi | 10.3828/sj.2017.26.2.10 | |
dc.description.status | Non peer reviewed | en |
dc.date.embargoedUntil | 2019-10-15 |
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