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Advertising and animation : from the invisible hand to attention management
Item metadata
dc.contributor.author | Cowan, Michael | |
dc.contributor.editor | Vonderau, Patrick | |
dc.contributor.editor | Florin, Bo | |
dc.contributor.editor | Klerk, Nico De | |
dc.date.accessioned | 2019-09-30T23:35:13Z | |
dc.date.available | 2019-09-30T23:35:13Z | |
dc.date.issued | 2016-10-01 | |
dc.identifier.citation | Cowan , M 2016 , Advertising and animation : from the invisible hand to attention management . in P Vonderau , B Florin & N D Klerk (eds) , Films that sell : moving pictures and advertising . Cultural histories of cinema , British Film Institute , London , pp. 93-113 . https://doi.org/10.5040/9781838711115.ch-006 | en |
dc.identifier.isbn | 9781844578924 | |
dc.identifier.isbn | 9781844578917 | |
dc.identifier.isbn | 9781844578948 | |
dc.identifier.other | PURE: 241574669 | |
dc.identifier.other | PURE UUID: 24cb12a1-d740-489a-b003-0f6ffcb2d316 | |
dc.identifier.other | WOS: 000483386000007 | |
dc.identifier.uri | https://hdl.handle.net/10023/18584 | |
dc.language.iso | eng | |
dc.publisher | British Film Institute | |
dc.relation.ispartof | Films that sell | en |
dc.relation.ispartofseries | Cultural histories of cinema | en |
dc.rights | © 2016 the Author. This work has been made available online in accordance with the publisher’s policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at https://doi.org/10.5040/9781838711115.ch-006 | en |
dc.subject | Advertising film | en |
dc.subject | Animation | en |
dc.subject | Julius Pinschewer | en |
dc.subject | Advertising theory | en |
dc.subject | Visual culture | en |
dc.subject | PN1993 Motion Pictures | en |
dc.subject | BDC | en |
dc.subject | R2C | en |
dc.subject.lcc | PN1993 | en |
dc.title | Advertising and animation : from the invisible hand to attention management | en |
dc.type | Book item | en |
dc.description.version | Postprint | en |
dc.contributor.institution | University of St Andrews. Film Studies | en |
dc.identifier.doi | https://doi.org/10.5040/9781838711115.ch-006 | |
dc.date.embargoedUntil | 2019-10-01 | |
dc.identifier.url | https://doi.org/10.5040/9781838711115 | en |
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