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Photography and the unseen

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dc.contributor.authorLynteris, Christos
dc.contributor.authorStasch, Rupert
dc.date.accessioned2019-07-26T14:30:03Z
dc.date.available2019-07-26T14:30:03Z
dc.date.issued2019-05-15
dc.identifier257369478
dc.identifier25e5cd8f-a1d6-479f-a29f-17d7cd0893ef
dc.identifier000467978700001
dc.identifier85065803147
dc.identifier.citationLynteris , C & Stasch , R 2019 , ' Photography and the unseen ' , Visual Anthropology Review , vol. 35 , no. 1 , pp. 5-9 . https://doi.org/10.1111/var.12174en
dc.identifier.issn1058-7187
dc.identifier.otherORCID: /0000-0001-8397-0050/work/60630746
dc.identifier.urihttps://hdl.handle.net/10023/18180
dc.description.abstractDrawing on works such as Shawn Michelle Smith’s At the Edge of Sight (2013), we explore the idea that photography, in supporting new kinds of seeing, even more importantly provokes expanded cultural concern with that which is unseen. We explore different social, ideological, and epistemological presences beyond sight dealt with in Smith’s work on U.S. photographers, and in the ethnographic studies gathered in this themed section. The four articles together underline the historical variability of the specific kinds of unseen that inform photographs’ visible content and are created through it.
dc.format.extent253540
dc.language.isoeng
dc.relation.ispartofVisual Anthropology Reviewen
dc.subjectT-NDASen
dc.titlePhotography and the unseenen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. Social Anthropologyen
dc.identifier.doihttps://doi.org/10.1111/var.12174
dc.description.statusPeer revieweden


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