Show simple item record

Files in this item

Thumbnail

Item metadata

dc.contributor.authorHugueny-Leger, Elise
dc.date.accessioned2019-06-30T23:41:18Z
dc.date.available2019-06-30T23:41:18Z
dc.date.issued2017
dc.identifier245210818
dc.identifier884f45c5-74b2-4e4e-bb41-d1bb2f5102c1
dc.identifier85026291442
dc.identifier000406587800003
dc.identifier.citationHugueny-Leger , E 2017 , ' Faire entrer le réel en collision avec le romanesque : l’art du montage dans Retour à Kotelnitch et Un Roman russe d’Emmanuel Carrère ' , Australian Journal of French Studies , vol. 54 , no. 2-3 , pp. 146-159 . https://doi.org/10.3828/AJFS.2017.11en
dc.identifier.issn0004-9468
dc.identifier.otherORCID: /0000-0001-8588-7461/work/52888721
dc.identifier.urihttps://hdl.handle.net/10023/18006
dc.description.abstractThis article explores occurrences of juxtaposition and collision between lived experience and fiction in the film Retour à Kotelnitch (2003) and the book Un roman russe (2007, trans. My Life as a Russian Novel) by Emmanuel Carrère. Following on Eisenstein’s conception of montage, I posit that the construction and fictionalisation of experience act as a step towards (self-) understanding and knowledge in Carrère’s search for his, and his family’s, origins. In a diptych which may be viewed as a manifestation of postmemory, the grey zone which Carrère explores – in which fiction is a mode of living and “real” doesn’t mean “reality” but “unbelievable” – corresponds to the creative potential of autofiction.
dc.format.extent354341
dc.language.isofra
dc.relation.ispartofAustralian Journal of French Studiesen
dc.subjectPQ Romance literaturesen
dc.subjectT-NDASen
dc.subjectBDCen
dc.subjectR2Cen
dc.subject.lccPQen
dc.titleFaire entrer le réel en collision avec le romanesque : l’art du montage dans Retour à Kotelnitch et Un Roman russe d’Emmanuel Carrèreen
dc.title.alternativeReality, fiction and the technique of montage in Retour à Kotelnitch and Un Roman russe (My Life as a Russian Novel) by Emmanuel Carrèreen
dc.typeJournal articleen
dc.contributor.institutionUniversity of St Andrews. Frenchen
dc.identifier.doi10.3828/AJFS.2017.11
dc.description.statusPeer revieweden
dc.date.embargoedUntil2019-07-01


This item appears in the following Collection(s)

Show simple item record