Files in this item
Faire entrer le réel en collision avec le romanesque : l’art du montage dans Retour à Kotelnitch et Un Roman russe d’Emmanuel Carrère
Item metadata
dc.contributor.author | Hugueny-Leger, Elise | |
dc.date.accessioned | 2019-06-30T23:41:18Z | |
dc.date.available | 2019-06-30T23:41:18Z | |
dc.date.issued | 2017 | |
dc.identifier | 245210818 | |
dc.identifier | 884f45c5-74b2-4e4e-bb41-d1bb2f5102c1 | |
dc.identifier | 85026291442 | |
dc.identifier | 000406587800003 | |
dc.identifier.citation | Hugueny-Leger , E 2017 , ' Faire entrer le réel en collision avec le romanesque : l’art du montage dans Retour à Kotelnitch et Un Roman russe d’Emmanuel Carrère ' , Australian Journal of French Studies , vol. 54 , no. 2-3 , pp. 146-159 . https://doi.org/10.3828/AJFS.2017.11 | en |
dc.identifier.issn | 0004-9468 | |
dc.identifier.other | ORCID: /0000-0001-8588-7461/work/52888721 | |
dc.identifier.uri | https://hdl.handle.net/10023/18006 | |
dc.description.abstract | This article explores occurrences of juxtaposition and collision between lived experience and fiction in the film Retour à Kotelnitch (2003) and the book Un roman russe (2007, trans. My Life as a Russian Novel) by Emmanuel Carrère. Following on Eisenstein’s conception of montage, I posit that the construction and fictionalisation of experience act as a step towards (self-) understanding and knowledge in Carrère’s search for his, and his family’s, origins. In a diptych which may be viewed as a manifestation of postmemory, the grey zone which Carrère explores – in which fiction is a mode of living and “real” doesn’t mean “reality” but “unbelievable” – corresponds to the creative potential of autofiction. | |
dc.format.extent | 354341 | |
dc.language.iso | fra | |
dc.relation.ispartof | Australian Journal of French Studies | en |
dc.subject | PQ Romance literatures | en |
dc.subject | T-NDAS | en |
dc.subject | BDC | en |
dc.subject | R2C | en |
dc.subject.lcc | PQ | en |
dc.title | Faire entrer le réel en collision avec le romanesque : l’art du montage dans Retour à Kotelnitch et Un Roman russe d’Emmanuel Carrère | en |
dc.title.alternative | Reality, fiction and the technique of montage in Retour à Kotelnitch and Un Roman russe (My Life as a Russian Novel) by Emmanuel Carrère | en |
dc.type | Journal article | en |
dc.contributor.institution | University of St Andrews. French | en |
dc.identifier.doi | https://doi.org/10.3828/AJFS.2017.11 | |
dc.description.status | Peer reviewed | en |
dc.date.embargoedUntil | 2019-07-01 |
This item appears in the following Collection(s)
Items in the St Andrews Research Repository are protected by copyright, with all rights reserved, unless otherwise indicated.