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dc.contributor.editorCorbett, George
dc.date.accessioned2019-05-02T15:30:01Z
dc.date.available2019-05-02T15:30:01Z
dc.date.issued2019-05-01
dc.identifier.citationCorbett , G (ed.) 2019 , Annunciations : sacred music for the twenty-first century . Open Book Publishers , Cambridge . https://doi.org/10.11647/OBP.0172en
dc.identifier.isbn9781783747269
dc.identifier.isbn9781783747276
dc.identifier.isbn9781783747283
dc.identifier.isbn9781783747290
dc.identifier.isbn9781783747306
dc.identifier.isbn9781783747313
dc.identifier.otherPURE: 258759335
dc.identifier.otherPURE UUID: 3d107960-a26f-4820-afa2-404a5032c0ab
dc.identifier.otherORCID: /0000-0002-7043-3253/work/57088517
dc.identifier.urihttp://hdl.handle.net/10023/17633
dc.description.abstractOur contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.
dc.format.extent392
dc.language.isoeng
dc.publisherOpen Book Publishers
dc.rightsCopyright © 2019 George Corbett. Copyright of individual chapters is maintained by the chapters’ authors. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work).en
dc.subjectTheoArtistryen
dc.subjectAnnunciationen
dc.subjectSacred musicen
dc.subjectTheologyen
dc.subjectMusicen
dc.subjectHebrew Bibleen
dc.subjectCompositionen
dc.subjectJames MacMillanen
dc.subjectPaul Mealoren
dc.subjectChoral musicen
dc.subjectBiblical Studiesen
dc.subjectBL Religionen
dc.subjectBS The Bibleen
dc.subject.lccBLen
dc.subject.lccBSen
dc.titleAnnunciations : sacred music for the twenty-first centuryen
dc.typeBooken
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.School of Divinityen
dc.contributor.institutionUniversity of St Andrews.St Andrews Institute of Mediaeval Studiesen
dc.identifier.doihttps://doi.org/10.11647/OBP.0172
dc.identifier.urlhttps://www.openbookpublishers.com/product/994en


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