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dc.contributor.authorIordanova, Dina
dc.date.accessioned2019-02-13T10:30:04Z
dc.date.available2019-02-13T10:30:04Z
dc.date.issued2018-01-20
dc.identifier.citationIordanova , D 2018 , ' Festiwale filmowe poza filmami : glamour, grupy interesów, korporacje ' , Kwartalnik Filmowy , vol. XXXIX , no. 100 , pp. 34-42 . < https://www.ceeol.com/search/article-detail?id=678656 >en
dc.identifier.issn0452-9502
dc.identifier.otherPURE: 257545358
dc.identifier.otherPURE UUID: 6b2261a8-80c5-482d-8f54-30adf485ab00
dc.identifier.otherORCID: /0000-0003-3828-390X/work/74510079
dc.identifier.urihttps://hdl.handle.net/10023/17052
dc.descriptionSpecially commissioned text for the hundredth anniversary issue of one of the oldest film journals in the world, KWARTALNYK FILMOWYen
dc.description.abstractIn order to understand the way a film festival operates, one has to switch the attention away from films, especially in the case of the glamour-driven festivals with their focus on red carpet, photo-ops etc. Films matter, but it is a wide range of other factors that must be scrutinised in order to understand what gives a film festival its distinctiveness. One needs to analyse the unique configuration of a festival’s stakeholders, to study how the film festival structures and narrates itself, what its components are, what constitutes the play of power between its participants (sponsors, partners, board members, guests, audiences, venues, journalists, and so on). It is this specific configuration, the relation between all players that pursue different agendas, that largely determines what will be the selection of films, their importance in the general context of the event, which filmmakers will be invited, what concurrent events will there be, what will be the social programme, the marketing, the media coverage sought. All these elements, taken together, give the festival a unique profile and create the festival’s “narrative”. Iordanova uses the examples of Cannes and some big Asian festivals to show how these mechanisms operate.
dc.format.extent9
dc.language.isopol
dc.relation.ispartofKwartalnik Filmowyen
dc.rights© 2018 Publisher / the Author. This work has been made available online in accordance with the publisher’s policies. This is the final published version of the work, which was originally published at: https://www.ceeol.com/search/article-detail?id=678656en
dc.subjectFilm festivalsen
dc.subjectPN1993 Motion Picturesen
dc.subjectT-NDASen
dc.subject.lccPN1993en
dc.titleFestiwale filmowe poza filmami : glamour, grupy interesów, korporacjeen
dc.title.alternativeFilm festivals beyond the filmsglamour, stakeholders, corporationsen
dc.typeJournal articleen
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews. Film Studiesen
dc.contributor.institutionUniversity of St Andrews. Centre for Minorities Research (CMR)en
dc.description.statusPeer revieweden
dc.identifier.urlhttps://www.ceeol.com/search/article-detail?id=678656en


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