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dc.contributor.authorRostvik, Camilla Mork
dc.date.accessioned2018-12-03T15:30:10Z
dc.date.available2018-12-03T15:30:10Z
dc.date.issued2019-02
dc.identifier.citationRostvik , C M 2019 , ' Visual narratives : a history of art at CERN ' , Leonardo , vol. 52 , no. 1 , pp. 30-36 . https://doi.org/10.1162/LEON_a_01404en
dc.identifier.issn0024-094X
dc.identifier.otherPURE: 255917887
dc.identifier.otherPURE UUID: d27a577a-250e-4d86-a31f-3a65c7f4c0c8
dc.identifier.otherScopus: 85061048101
dc.identifier.otherWOS: 000457574400005
dc.identifier.otherORCID: /0000-0001-9916-917X/work/61133184
dc.identifier.urihttp://hdl.handle.net/10023/16613
dc.description.abstractThis article examines the history of art inspired by the European Organization for Nuclear Research (CERN) in the twentieth and 21st centuries. The article argues that artists can show us radically different narratives about this space than those that are told by the mainstream media, by scientists and by CERN’s own public relations structure.
dc.format.extent7
dc.language.isoeng
dc.relation.ispartofLeonardoen
dc.rights[Accepted manuscript version]. © 2019 ISAST. This work has been made available online in accordance with the publisher’s policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at: https://doi.org/10.1162/LEON_a_01404en
dc.rights[Final published version]. © 2019 ISAST. This work has been made available online in accordance with the publisher’s policies. This is the final published version of the work, which was originally published at https://doi.org/10.1162/LEON_a_01404.en
dc.subjectN Visual arts (General) For photography, see TRen
dc.subjectT-NDASen
dc.subject.lccN1en
dc.titleVisual narratives : a history of art at CERNen
dc.typeJournal articleen
dc.description.versionPostprinten
dc.description.versionPublisher PDFen
dc.contributor.institutionUniversity of St Andrews.School of Art Historyen
dc.contributor.institutionUniversity of St Andrews.Centre for Contemporary Arten
dc.identifier.doihttps://doi.org/10.1162/LEON_a_01404
dc.description.statusPeer revieweden
dc.date.embargoedUntil2019-05-09


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