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Visual narratives : a history of art at CERN
|Rostvik, Camilla Mork
|Rostvik , C M 2019 , ' Visual narratives : a history of art at CERN ' , Leonardo , vol. 52 , no. 1 , pp. 30-36 . https://doi.org/10.1162/LEON_a_01404
|PURE UUID: d27a577a-250e-4d86-a31f-3a65c7f4c0c8
|This article examines the history of art inspired by the European Organization for Nuclear Research (CERN) in the twentieth and 21st centuries. The article argues that artists can show us radically different narratives about this space than those that are told by the mainstream media, by scientists and by CERN’s own public relations structure.
|[Accepted manuscript version]. © 2019 ISAST. This work has been made available online in accordance with the publisher’s policies. This is the author created accepted version manuscript following peer review and as such may differ slightly from the final published version. The final published version of this work is available at: https://doi.org/10.1162/LEON_a_01404
|[Final published version]. © 2019 ISAST. This work has been made available online in accordance with the publisher’s policies. This is the final published version of the work, which was originally published at https://doi.org/10.1162/LEON_a_01404.
|N Visual arts (General) For photography, see TR
|Visual narratives : a history of art at CERN
|University of St Andrews. School of Art History
|University of St Andrews. Centre for Contemporary Art
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